Disney+ Outage Map

Community Discussion

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  John Titor, Timewalker. (@JohnTitorVT) reported 21 seconds ago

  While I too despise TLJ and 90-95% of Disney Wars (Andor goated), this is a top 5 (maybe top 3) awful argument for defending/attacking poorly crafted media. If you unironically think this way about stories, I kinda automatically think less of your opinions on pretty much everything else.

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  Emperor Karl Franz (@emperor_kane) reported 6 minutes ago

  @WickDastardly @SaschaSchiffer3 @Xevious_art So I am not allowed to criticize Disney Star Wars because I don't work for Lucasfilm?

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  Arturo Castrejon (@Artur_Castrejon) reported 6 minutes ago

  I would show my real lightsaber but… i don’t work for disney….

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  Servant to Poo-bah the Cat (@PoobahTheCat) reported 12 minutes ago

  @9LivesofSummer Yes, but we now know this is a problem with the audience, and not with the movies themselves, which is why we had government-backed NGOs encouraging film companies to stay the course. Seriously, what's the downside? (Note to Disney: did not receive my money yet. Fix this.)

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  🌮 Juan De Sand Tits 🌮 (@DeSandTits) reported 13 minutes ago

  @BD_Neagle_ It's like a whole bunch of shills in unison got paid by Disney to defend their worst mistakes. Sorry dude, this movie is garbage. The one after is even worse but that doesn't make this one not garbage.

• 
  Yaro (@yarostarak) reported 13 minutes ago

  The most famous character in history exists because of a betrayal. In 1928, Walt Disney was twenty-six years old and finally catching a break. He'd already gone bankrupt once — his first animation company, Laugh-O-Gram Films, collapsed when he was twenty-one. He'd been sleeping in his office and eating cold beans out of a can because he couldn't afford rent. He'd shown up in Los Angeles with forty dollars and a suitcase, moved into his uncle's garage, and convinced his brother Roy to walk out of a tuberculosis ward to start a business with him. But now things were working. Walt had created a cartoon character called Oswald the Lucky Rabbit, and Oswald was a hit. Theatres loved him. Audiences loved him. For the first time in Walt's life, something he'd built was actually making money. He boarded a train to New York to renegotiate his contract with his distributor, a man named Charles Mintz. Walt was expecting a raise. The numbers spoke for themselves. The meeting was the worst of his life. Mintz didn't offer a raise. He offered a twenty percent pay cut, and then dropped the real bomb: Universal, not Disney, owned the copyright to Oswald. The character belonged to the distributor, not the creator. Mintz had already gone behind Walt's back and offered jobs to most of his animators. The message was simple — accept the lower rate, or Mintz would take the character, take the team, and keep making Oswald cartoons without Walt Disney. Walt was stunned. The thing he'd created, the people he'd trained, the success he'd built from nothing, none of it belonged to him. He'd signed a contract without fully understanding what he was giving away. The train ride back to Los Angeles took three days. Somewhere on that train, sitting with the knowledge that he'd lost everything for the second time in his life, Walt started sketching. A mouse. Round ears. Red shorts. A personality that was equal parts mischievous and optimistic. He called him Mortimer. When he got home, his wife Lillian looked at the sketches and told him Mortimer sounded too pompous. She suggested Mickey. Within a year, Mickey Mouse was one of the most recognisable characters in the United States. Within a decade, he was the most recognisable character on earth. Walt Disney never let anyone own his creations again. The ferocity with which Disney protects its intellectual property to this day - every trademark, every character, every story - traces directly back to that meeting in Mintz's office and the lesson it burned into Walt's brain... If you don't own your work, you don't own anything. That's just one story from a hundred-year saga that includes inventing the cartoon movie, creating the first truly great theme park, acquiring mega IP including Pixar, Marvel and Lucasfilm and the billion dollar movies that would come from them and so much more. The full Disney story is on the Corrp podcast now. Listen wherever you get your podcasts, or follow the link below...

• 
  Kyle Bigley 🥂 (@kylebigley) reported 17 minutes ago

  @chrisorzy Debt for Disney is crazy work. It’s an overpriced park, not even good

• 
  Lucas Evan Fryman (@LucasFryman) reported 17 minutes ago

  Hot take 8: Most of Rebel’s problems would be fixed if it used the Clone Wars art style. Aside from differentiating the two, and maybe some Disney interference, I don’t know why they decided to go with art style change. That being said, it’s mostly passible.

• 
  B3a5tc0c (@b3a5tc0c) reported 19 minutes ago

  @Polymarket They should just do what Disney does. Their soda cups have RFIDs in them that are read by the machines. They limit you to a fixed amount of refills within a certain time frame. And if you try to use a cup without an RFID the machine won’t work.

• 
  shink3n ☦️ ☧ 🍇 (@XxXshink3nXxX) reported 20 minutes ago

  Disney ruined it, and ran roughshod all over the work Expanded Universe writers and artists contributed to the franchise.

• 
  Blyon (@HeartofaLyon2) reported 20 minutes ago

  @bennyjohnson Who cares about this guy? @ABC @Disney are fine with submarining their shareholders for DEI Tranny's and a would be comic. Let them do it. They are the Spirit Airlines of network television and a case study in Middle School of how easy it is to fix a business.

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  ᴠᴀᴄᴛʀɪᴄᴀᴋɪɴɢ (@VactricaKing) reported 22 minutes ago

  @mr_evaporation Crash from Disney? I first kill myself

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  HowlingGlep (@HowlingGlep) reported 22 minutes ago

  There's a sick irony to the fact that the best light saber fight disney ever produced was in its worst show, the acolyte. Shame really

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  DeedleDeeDee (@DiZee4) reported 22 minutes ago

  @AngryTexan89 My kids learned because the Japanese servers in Walt Disney World would rubberband their chopsticks together with a folded piece of paper between them for a pivot point. That worked well until they were old enough to have the dexterity and determination to use them without that “crutch”.

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  Anna Mae (@MaeOfFable) reported 27 minutes ago

  @CaffMomREDACTED This looks like the worst of the Disney Channel in Concerts from the 90s