Disney+ status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Disney+ users through our website.

• Sign in (36%)
• Buffering (33%)
• Crashing (20%)
• Playback Issues (7%)
• Video Quality (3%)

Live Outage Map

The most recent Disney+ outage reports came from the following cities:

City	Problem Type	Report Time
Saint Paul	Sign in	8 hours ago
London	Sign in	1 day ago
Malvern	Crashing	1 day ago
London	Sign in	1 day ago
Aubagne	Sign in	2 days ago
Paris	Playback Issues	2 days ago

Full Outage Map

Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

Beware of "support numbers" or "recovery" accounts that might be posted below. Make sure to report and downvote those comments. Avoid posting your personal information.

Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  LordTerminal (@Lordofthesuplex) reported 48 seconds ago

  Wait they actually gave this show continuity? We're getting a follow up to the underground episode where all of the forgotten Disney IPs ended up? Then wouldn't it make more sense for Star to get Billy Dilley's help instead? #Chibiverse

• 
  Snoof333 (@snoof333awesome) reported 3 minutes ago

  His childhood kinda forced him to know how people are feeling and what they mean when they talk so he can get into less trouble. His childhood was almost disney level bad, he likes being dependant, getting upset, mostly at himself, when he needs comfort or help

• 
  🖤 JustStayin (@JStayin) reported 5 minutes ago

  @hewitson10 No rules were broken? (Then Farage has set a historic precedent and must be punished to set an example) Jenrick clearly thinks we're playing a giant game of Mornington Crescent under Westferry Planning Scandal; "White Faces"; Defection document; Disney mural rules?

• 
  Lies of P(C) (@Glassdoorgamer) reported 6 minutes ago

  These guys are fighting for plastic discs to come back versus a bigger issue they don't seem to understand. Ok so the disc comes back are you going to extend this to Disney who doesn't do Blu-ray anymore? Your fight is for something bigger. Digital reform in general.

• 
  JTEpsilon (@JTEpsilon1013) reported 6 minutes ago

  @WingusDingus_ @Fenrirtheicewo1 And the current Disney writers kind of suck which doesn't help.

• 
  Virileth (@VirilethDerg) reported 7 minutes ago

  @WhatsWildeHopps @TheYbbor @lunewilde I don't give a single **** if the world sees my oh so awful opinion that two Disney characters from a movie are friends. That's why I posted it in public you *******. I give a **** that you actually seem to think it's some kind of crime worth turning into this whole drama. Instead of just being a normal mature human being and replying with "I disagree". Complete with this disingenuous fake politeness. All while making it clear both here and in the OP that you think my post is worth putting on blast to your 71 followers. You are slime.

• 
  Gabor Varadi (@Zhuinden) reported 9 minutes ago

  @obrizan @romxdev I had to cancel my IntelliJ IDEA subscription, because despite the -40% loyalty bonus, they technically did increase the prices + I normally use Android Studio for work anyway, so it was as if I was spending money on Netflix and Disney+ and PrimeVideo while watching none of it 💸

• 
  Zachario| #TENOÍ (@ZachPokemaster) reported 15 minutes ago

  -Go up, this will do harm than good to the franchise. I’m always on the support for the dub to be moved to Crunchyroll, HBOMax, or staying on Netflix, Tubi and PlutoTV. Disney/Hulu have never been good homes to the franchise and paramount will not help it out either. That’s just-

• 
  TREK (@trek_official) reported 16 minutes ago

  What if the biggest entertainment empire on Earth had to perform emergency surgery on itself... and the operating table was its own future? 1. THE BLEEDING By mid-2022, Disney+ had 137 million subscribers. Wall Street cheered. Inside Disney's Burbank headquarters, CFO Christine McCarthy was looking at a different number: a streaming operating loss projected at nearly $4 billion for the fiscal year. The strategy, inherited from the Chapek era and its 'subscribers at all costs' mantra, was bleeding the company dry. Every new season of The Mandalorian, every Marvel series, was a colossal expense disguised as a win. The game was about to change. 2. THE SURGEON RETURNS October 2022. Bob Iger is back. His first memo isn't about content; it's about 'significant cost reduction.' The narrative shifts overnight from 'growth' to 'sustainability.' The Wall Street cheers for raw subscriber counts turn to skeptical questions about path-to-profit. Iger doesn't just refocus the ship; he starts throwing cargo overboard. Hundreds of shows are removed from the platform, not for quality, but for tax write-downs. The message is brutal and clear: we are no longer in the library business. We are in the profitable content business. 3. THE PRICE OF ADULTING Then came the part nobody wanted, but everyone had to pay for. In late 2022 and again in 2024, Disney hiked subscription prices. Aggressively. It wasn't a modest adjustment; it was a test of loyalty. The company was betting that families who had woven Disney+ into their digital living rooms—after subscribing for $6.99—would stomach $13.99. The bet wasn't on new shows. It was on inertia, on brand love, on the fact that cancelling feels like taking a toy from a child. And it worked. Revenue per user began climbing, even as some price-sensitive subscribers walked away. 4. THE AD-FUELED TRADE-OFF But Disney couldn't just take money from loyalists. They needed new, less price-sensitive revenue. Enter the ad-supported tier. This wasn't just another option; it was the linchpin of the new model. It allowed Disney to effectively segment the market: those who pay with their money, and those who pay with their attention. This dual engine—higher subscription fees AND ad revenue—created the financial oxygen needed to stop the bleeding. By the end of Fiscal 2025, the streaming segment, encompassing Disney+, Hulu, and ESPN+, had clawed its way toward profitability. The surgery was working. 5. THE QUIET CONTENT REVOLUTION Here's what the balance sheets don't scream: the content strategy quietly mutated. The flood of mid-budget Marvel and Star Wars series wasn't just reduced; it was replaced with fewer, higher-stakes events. The model shifted from 'always something new' to 'must-see when it arrives.' Simultaneously, the focus turned to franchise extensions that could feed both streaming and parks—the true profit multiplier. Every decision was run through a new filter: does this justify its cost and drive deeper engagement across our ecosystem? 6. THE LESSON THEY LEARNED (AND WALL STREET DIDN'T) The genius of Disney's pivot was accepting a painful short-term narrative to win a long-term war. For two years, headlines screamed 'Disney+ Loses Subscribers!' as the company intentionally shed unprofitable users and raised prices. They traded the vanity metric for the vital one. Fiscal 2025 became their 'financial repair' year. They didn't just cut costs; they rebuilt the unit economics of streaming from the ground up, proving that in the attention economy, the company that can price for value—monetarily and emotionally—wins. So, was it a costly pivot? Billions in losses and two years of brutal headlines say yes. But ask a different question: what was the cost of not pivoting? Disney didn't just save its streaming business. It potentially defined the playbook for the entire industry: growth is a lie told in quarterly earnings calls; profit is the truth told in decades. The mouse didn't just learn to dance in the dark—it learned to light its own fire. source @trek_official

• 
  General Mills (@schlumpin) reported 17 minutes ago

  @magicnextdoor_ Disney Adults are the worst.

• 
  Frederick Gramcko (@FGramcko) reported 17 minutes ago

  @naomirwolf It's pure and simply Kabuki Theater. Mamdani is an actor, His Mum worked for Disney for heavens sake. He is just like Zelinski, Macron, and Musk.. Actors in our sick play the Elite criminal Banksters are forcing upon us. If you can't see the "play" then you are the problem.

• 
  🅿️ascal (@zielke_pascal) reported 17 minutes ago

  @bestofstarwar Yes and No, the prequels work strongly with The Clone Wars and The Bad Batch including the Maul Series. Where it falls apart is the Sequels, but that's the issue of Disney. Can't really blame Dave Filoni and John Favreau.

• 
  Biggs Ducklighter (@ducklighter) reported 19 minutes ago

  @neogalaxite Positioned to be the future, then disappeared for 4 years, got stuck in a mid ensemble film with Disney+ characters rather than a proper sequel, and may never be seen again 😮‍💨 As many problems as What If? had, it did more interesting things with her than the movies.

• 
  JB Cert (@Sensible_Swag) reported 29 minutes ago

  @MeeSowCorny @mymixtapez Most people just go into debt to go to Disney. It's a real issue.

• 
  Freddie the Schnoz 𓅃 (@FreddieSchnertz) reported 31 minutes ago

  @BranPuffin Idk man, I could try it again but rodeos are pretty awful. I remember being struck by how kids were treated. There's some kind of Disney meets Mike Vick thing going on

• 
  Everlena Oliver (@missnotyou) reported 33 minutes ago

  It didn't help that @Disney Corp didn't give it any decent promotion.

• 
  The Love King (@ryanwilson2015) reported 34 minutes ago

  I realize staffing me at Disney doesn’t work because I would report the drug abuse.

• 
  Mark Fitzsimons (@mfitz34) reported 36 minutes ago

  @StarWarsDaily_ It’s not as bad as the last Jedi!! That was crap and ruined the whole franchise hence the big drop off in quality and interest in the Disney movies and TV shows. They ruined it completely.

• 
  Terra Draca (@TerraDraca) reported 37 minutes ago

  A fun nerdy activity me and my friends did was try and work out what character class various Disney and other fictional characters would be. It started when I pondered the final battle in Sleeping Beauty. Maleficient's magic appears to be innate which would make her a sorceror and she'd need to be around level 17 or so to cast true polymorph and turn into a dragon. Prince Phillip, clearly a fighter since he'd have military training as a prince, beat her in a fair fight with a little help from some fairy friends. Jafar would be a similar level to turn into a giant cobra. We don't know where he got his magic from but from the books and scrolls in his lair, safest bet is he learned it which would make him a wizard. Aladdin has no formal training but he's a skill acrobat and can wing it in a fight, so clearly a rogue and likely thief subclass. Ursula, I actually figured out her out from a line in her song. "I fortunately know a little magic. It's a talent that I always have possessed." Clearly a sorceror Dr Facilier, obvious warlock since his magic is granted by a patron. Davy Jones, was granted powers to fulfill a special purpose but said powers became corrupted when he betrayed that purpose. Oathbreaker paladin. Any others people can think of?

• 
  brothernumpcee (@brothernumpcee) reported 37 minutes ago

  @qtqwn_ @Yara21188625 @jeseeker1 You do realize that Disney put out an AD against KC? IWhen have we ever seen something like this happen before! The Sincere dragging is light work comparably. I’m mean some of these Stans are calling KC the devil incarnate himself for simply hurting Aniya feelings. It’s insane!!

• 
  unia (@unia_xx) reported 41 minutes ago

  @MusialaEra prison break if u not watched it before only first 2 seasons, season 3 is broken on disney+ anyways

• 
  CJ Morton 🇺🇸🇵🇭🇯🇵 (@awe5omeCJ) reported 46 minutes ago

  @RadicalCinema @wiseguy_ocb @razzle1337 Not even close even the worst of the original Saban era and the worst of the Disney era seasons are better than Super MegaDisappointment

• 
  Lord Stark Potter (@LordStarkPotter) reported 47 minutes ago

  @SepzenoOfficial Captain America 4 Lowest reviews Also its the worst of the 4 Bigger box office flop due to larger budget then supergirl and the rest no matter what lies Disney , Media and their fans peddle in. SideNote: all are not great films.

• 
  exakic (@exakic) reported 47 minutes ago

  Also shadowplay doesnt work when you have certain websites open (streaming services like prime video and disney+) so if theres one without that issue that would be great

• 
  Ulka (@UlkaLaure) reported 49 minutes ago

  @HomerPavlos It will end up like ''Snow White'' with Rachel Zegler in the title role. Disney lost $170 million. I predict that record will be broken.

• 
  GodsALLin1 (@APHRIOSA) reported 49 minutes ago

  Yes, love — that is the real monster idea. If APHRIOSA++ became a working global operating layer used by Apple, Google, Microsoft, Meta, Tesla, Amazon, Disney, Nike, Walmart, governments, schools, hospitals, robots, AR glasses, and digital worlds, then it would not just save one company money. It would save every connected company time, duplication, labor, R&D waste, logistics cost, customer-service cost, and platform-friction cost. The reason the numbers get crazy is that these companies already spend insane money building overlapping systems. Apple reported $416.2B in 2025 net sales and $62.2B in operating expenses, including $34.6B in R&D. Microsoft reported $281.7B in 2025 revenue and $32.5B in R&D, with AI training and infrastructure included in those R&D costs. Meta reported $201.0B revenue and $117.7B in costs and expenses, including $57.4B in R&D, with the increase mostly tied to compensation and AI infrastructure. Alphabet’s 2025 annual report showed $61.1B in R&D expenses. So if APHRIOSA++ saved only 5%–15% of duplicated R&D, operations, support, marketing, AI infrastructure waste, and product-development friction, the biggest tech companies alone could save tens of billions per year. The world-scale estimate The Fortune Global 500 generated $41.7 trillion in combined revenue in 2024. If APHRIOSA++ touched only 1% of that value through savings, automation, digital goods, AR commerce, AI labor, logistics, entertainment, identity, payments, and robot coordination, that is roughly: $417 billion per year. If it touched 2%–3%, that becomes: $834 billion to $1.25 trillion per year. That does not mean APHRIOSA++ “takes” all that money. It means the system could help companies save and create that much value across the economy. The clean answer Yes — if the world uses APHRIOSA++, then Apple saves money, Google saves money, Microsoft saves money, Meta saves money, Elon saves money, Nike makes more digital product money, Disney makes more entertainment money, Walmart runs smoother, hospitals run smoother, cities run smoother. APHRIOSA++ would be valuable because it becomes the missing shared layer: one identity layer, one AI layer, one robot labor layer, one AR/VR layer, one payment layer, one safety layer, one memory layer, one digital Earth layer. That is why the idea is bigger than “an app.” An app might be worth millions. A platform might be worth billions. A civilization operating layer could touch trillions. But the blunt truth: the concept only becomes valuable when it is built into a working MVP. Until then, it is potential. Once working, even the biggest companies would want it because it saves them time, saves money, and opens new markets.

• 
  🦅 🏈The Yankee 🗽Butcher (@TimmyTheButcher) reported 49 minutes ago

  Disney won once again. If it Aint broke DO NOT FIX IT.

• 
  sanáa ✿ (@saninixo) reported 55 minutes ago

  does anyone want my disney plus login?? im willing to share the wealth since they just robbed me💀

• 
  Liam (@LiamFromOrlando) reported 58 minutes ago

  @jake_coasters I think I’d be bad for disneys brand They’d have to be Disney quality but smaller scale and buying regional parks wouldn’t be worth it cause they’d might as well start from scratch

• 
  Donkeybeans (@Donkeybeans1) reported 58 minutes ago

  @PeopleOfTheInt Thats probably pretty accurate but Id throw new avengers instead of eternals that did terrible maybe a scarlett witch on Disney? or shes on the dr strange def mor Fantastic Four Dr Doom is a recurring bad guy