Disney+ status: streaming issues and outage reports
Problems detected
Users are reporting problems related to: sign in, buffering and crashing.
Full Outage Map
Disney+ is an American subscription video on-demand streaming service owned and operated by the Direct-to-Consumer & International division of The Walt Disney Company.
Problems in the last 24 hours
The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.
July 11: Problems at Disney+
Disney+ is having issues since 07:50 PM IST. Are you also affected? Leave a message in the comments section!
Most Reported Problems
The following are the most recent problems reported by Disney+ users through our website.
- Sign in (37%)
- Buffering (33%)
- Crashing (19%)
- Playback Issues (7%)
- Video Quality (3%)
Live Outage Map
The most recent Disney+ outage reports came from the following cities:
| City | Problem Type | Report Time |
|---|---|---|
 Atibaia
|
Sign in | 18 hours ago |
 Ipswich
|
Sign in | 20 hours ago |
 San Luis Río Colorado
|
Sign in | 1 day ago |
 Lausanne
|
Sign in | 1 day ago |
 Bezons
|
Sign in | 1 day ago |
|
Unión de Crédito Agrícola de Hermosillo
|
Sign in | 2 days ago |
Full Outage Map
Community Discussion
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Disney+ Issues Reports
Latest outage, problems and issue reports in social media:
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ruby ☆ replaying rebirth (@megaflare) reportedabout to book a nail appointment how do i get smth that’s equally emo and black but also like. ready to slay at disney paris #help
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realmink (@kenestweets) reportedi have a theory that someone in disney signed off on this terrible movie so that it would bomb and they wouldn’t have to make live actions anymore cause now i think about there was barely any promo for this movie that usually means one thing…
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Adam Levenberg (@StarterScript) reported@edwardbrgr I wasnt sure if there was something he'd claimed during press for this...My own reading is that the producer credit is some combo of a courtesy and participation during development (meaning he, and/or his executives were in the loop for hiring writers and director so he'd be more likely to say yes at greenlight time...and Disney wanted a live action Moana starring The Rock. I think his age might've sped up Disney's timeline more than anything else. But I'd guess the studio originated moving forward on it. For him, I think he probably wanted the guaranteed giant paycheck and a massive hit to keep him afloat. Huge hits help Smashing Machine like movies happen.
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Andy Signore (@andysignore) reportedI've also sadly heard this from MULTIPLE other reputable sources... I still hold out hope for it working... But Avengers Doomsday always felt like an insanely expensive band-aid covering up a much bigger issue that Disney & Marvel keep ignoring.
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🗡️ Lore Master Chris 🇺🇸 (@CWilson2197) reported@ZomBinaryBot More power to you I suppose, but as a massive Star Wars I can’t stand TCW for all the retcons and continuity breaks along with the incredibly childish writing. And Theory’s fence riding over the Disney era is annoying. One moment, he’s giving the Kenobi series a 9.7/10, the next he’s ranting about how terrible the show is. Plus he likes to present himself as an expert who knows Star Wars through and through, yet he doesn’t even know who Joe Johnston is (the model designer for the original trilogy)
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Sam (@monsteraqueen_) reported@_undeadinside @hannahluvsdean No it’s not. Seeing everything as a social issue is weird. Like a kid wears a Stitch shirt and your first thought is “How disgusting for this child to wear a shirt that highlights the Disney corporation” when it’s a kid wearing a shirt with a movie character on it.
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Nolan Setordjie (@NSetordjie1993) reported@DisneyBeat101 Lodo should REALLY catch up every magical stuff r no longer work anymore in any Disney shows he’ll tried, at least it’s good see them again
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Devin (@DevinD33) reportedA week long work meeting coming up next week. I'm currently trying to engage my socializing button. This will be my worst week of the year pretending to be excited to see people I haven't seen in a year. The bonus is Disney world is always fun
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Fly on the Wall (@KenMcCombs1) reported@SuperSisi They really need to study what Disney and Paramount have been doing... Disney acquired Star Wars and quickly learned that its massive, passionate fanbase could be taken for granted. Legacy characters were sidelined, core themes were altered, and vocal criticism was often dismissed as “toxic.” The result? A deeply divided fandom, brand fatigue, and a noticeable erosion of the cultural reverence that once made Star Wars untouchable. Many longtime fans walked away, and the franchise has struggled to recapture its former magic despite occasional hits. Paramount has followed a similar path with Star Trek. Decades of goodwill built on exploration, optimism, and thoughtful storytelling have been strained by a string of projects that many core fans feel prioritize messaging over narrative quality. Shows have been criticized, canceled amid backlash, and the broader franchise has seen declining enthusiasm from the very audience that kept it alive for generations. The brand still has value, but the loyalty of its most dedicated supporters has frayed. In both cases, powerful corporations with iconic, decades old brands assumed that fan loyalty was infinite and unconditional. They bet that they could reshape these properties to fit new priorities. (broader appeal, recurring revenue models, or corporate agendas) while the core audience would simply follow along because “it’s Star Wars” or “it’s Star Trek.” Sony appears to be making the same calculation with PlayStation. The brand is undeniably strong. The installed base is huge. Digital sales already dominate. So why listen closely to the collectors, preservationists, and longtime enthusiasts who value physical ownership, resale rights, and true game ownership? The danger is that brand strength is not the same as brand affection. When fans feel ignored or actively disrespected, loyalty becomes conditional. What was once a passionate community can turn into a transactional one. Or worse, a resentful one that slowly drifts away. Physical media isn’t just about nostalgia. It’s about ownership, preservation, and a tangible connection to the games we love. Dismissing those concerns in favor of “consumer trends” while assuming the brand will carry everything risks repeating the mistakes that have damaged other legendary franchises. Sony doesn’t have to agree with every fan complaint. But treating its most dedicated supporters as an afterthought because the brand is “too big to fail” is a dangerous assumption. History shows that even the strongest brands can be damaged when the people who built them with their time, money, and passion feel taken for granted.
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GENEVIEVE ★ (@chiliryez) reportedtheres a giant black wasp following me around at work and i feel like this is my disney princess animal
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Zack Squires (@Zman2Cor129) reportedAdvice for people trying to make Disney movies from animated to live action…. Don’t make it exactly like the animated version. The same problem happens with anime shows trying the live action route. This is why One Piece and Avatar are far superior to everybody else
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Slasky49 (@Slasky491) reported@MelissaLMRogers let me help u 🇺🇸 is Walmart of the 🌎 Walmart pretty much tell u what ur price will be to sell them see very simple same with Amazon we don't live in Disney movie
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Fly on the Wall (@KenMcCombs1) reported@SuperSisi They really need to study what Disney and Paramount have been doing... Disney acquired Star Wars and quickly learned that its massive, passionate fanbase could be taken for granted. Legacy characters were sidelined, core themes were altered, and vocal criticism was often dismissed as “toxic.” The result? A deeply divided fandom, brand fatigue, and a noticeable erosion of the cultural reverence that once made Star Wars untouchable. Many longtime fans walked away, and the franchise has struggled to recapture its former magic despite occasional hits. Paramount has followed a similar path with Star Trek. Decades of goodwill built on exploration, optimism, and thoughtful storytelling have been strained by a string of projects that many core fans feel prioritize messaging over narrative quality. Shows have been criticized, canceled amid backlash, and the broader franchise has seen declining enthusiasm from the very audience that kept it alive for generations. The brand still has value, but the loyalty of its most dedicated supporters has frayed. In both cases, powerful corporations with iconic, decades old brands assumed that fan loyalty was infinite and unconditional. They bet that they could reshape these properties to fit new priorities. (broader appeal, recurring revenue models, or corporate agendas) while the core audience would simply follow along because “it’s Star Wars” or “it’s Star Trek.” Sony appears to be making the same calculation with PlayStation. The brand is undeniably strong. The installed base is huge. Digital sales already dominate. So why listen closely to the collectors, preservationists, and longtime enthusiasts who value physical ownership, resale rights, and true game ownership? The danger is that brand strength is not the same as brand affection. When fans feel ignored or actively disrespected, loyalty becomes conditional. What was once a passionate community can turn into a transactional one. Or worse, a resentful one that slowly drifts away. Physical media isn’t just about nostalgia. It’s about ownership, preservation, and a tangible connection to the games we love. Dismissing those concerns in favor of “consumer trends” while assuming the brand will carry everything risks repeating the mistakes that have damaged other legendary franchises. Sony doesn’t have to agree with every fan complaint. But treating its most dedicated supporters as an afterthought because the brand is “too big to fail” is a dangerous assumption. History shows that even the strongest brands can be damaged when the people who built them with their time, money, and passion feel taken for granted.
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Brian W 🇺🇸👨🚒🥃 (@crashresq29) reported@gecko_389 @wdwmagic It’s not just a retrack, the first paragraph in the article says as much. It mentions a complete interior rebuild along with a retrack. Personally I have no skin in this game in terms of the ride since I don’t go on it. The issue is taking rides and completely gutting what made parkgoers love them in the name of “progress”. Could Disney knock it out of the park? Sure. But I think the skepticism over them getting this right is well deserved.
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Kyokka °❀.ೃ࿔* | simming (@kikimorkino) reported@LORElitaPixie I have no idea how good or bad their sales would be in the US, here people would look for similar stuff on Ali Express or even try sewing themselves... Most people don't want Disney costumes as their daily wear, that's the problem.
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Donkey Kong (@DKOfficial122) reported@MrA52282021 Don’t you ******* put the Sonic movies in the same level as the soulless Disney slopfests. The worst Sonic movie is still far better than anything Disney has shat out in recent years
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Justin J. Smith (@JJSmithian) reportedHilarious Disney would rather fix the Tomorrowland that was good and didn’t need fixing.
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★𝓕ⲓꞅⲉⲂꞅⲁⲛⲀ★ (@Nemoticon) reported@ET_Reacts @GlobalBoxOffice The Rock looking terrible in this has nothing to do with why the movie bombed. NO ONE wants or cares about Disney live-action remakes of their animated movies. It's just the dumbest thing ever. There literally is no market for it... it really is as simple as that.
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VollBird 🇺🇸 民鳥 (ヴォルバード) 🇺🇸 (@VollBird) reported@DarkEndMoon1 @sanson_ganbaru Once upon a time, parents made those movies. Now they are made by childless Disney adults. I believe that is the primary, passive reason why the quality has diminished, outside the activists' deliberate subversiveness.
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DJ (@CincoSuavee) reportedNext person compare me to Sincere ima crash I’m nothin like that Disney channel ah *****
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Luiz Fernando (@Luiz_Fernando_J) reported@I_Am_Orion Orion… maybe you need to work on your reading, because I’ve never said it’s BAD. I literally said it’s NOT IDEAL, and I’ve literally explained several times before the why. An A- for PG family films usually has similar effect as a B+ would have for a PG-13 film. Just meh reception, with no rush to recommend it to other people. Some movies’ legs get away with it, but the vast majority won’t. Families and specially kids are way more condescending than other demos. As long as they have a good time they will give the highest score to your film. So when a PG Disney remake gets an A-, it’s because it failed to win over even a fraction of the most easy to please moviegoer there is. You should know this by now. Unless you believe people loved DUMBO, a movie which 2026 #Moana has been emulating in every way possible, from critics reception to audience reception to potential opening weekend numbers.
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Edonic (@Edonic18) reported@DiamondDust776 @voicearchivist If box office results measured quality, Disney would be decent. Meanwhile, we have skilled producers who understand what their audience (fans) really want; they understand the original product. It's not just about profit, but about the passion for what they do.
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faeyla (@literally618431) reported@fathermokyeon_ my god, this story is about two adults dealing with adult problems, i seriously hope those people turn on the TV and go watch Disney movies or something
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Tracy (@Ouatinagalaxy) reported@belle_libros Amd what is a shame is eventually Lucasfilm & Kennedy agreed with us and tried to fix it with THFBS. But Disney is preventing it all due to JJ Abrams' ****** job of not explaining Palpatine's return at all & getting us into this mess in the first place.
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pasta ***** (@niamhjenkinson1) reported@_undeadinside @ChattingCat @hannahluvsdean so i’m going to subject my child to having no personal style or individuality or choice in what they want to wear because someone might see her shirt and decide to watch a disney movie. yeah no, your making an issue with everything will make your child suffer in the long run.
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Nicholas Malone (@Nichola76396620) reported@almanaquedisney Isn't all Disney live action remake are the same as the original? So what the problem
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bin :D 🇬🇳 (@yikesbin) reportedwhenever you have time watch not suitable for work!! we need all the promo we can get to push for a s2! @LashaeAsh please! if you need a disney plus login i will share my moms account with you…you have to use my profile tho 😜
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Martin (@Martin419831344) reported@Freewheeler12 To all the “stop the gamers” get yourself some ****** because the game is going ahead Fact If you don’t wanna watch no problem just get an adult to show you how to change the channel to switch to the Disney channel
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North American (@LongshoreCowboy) reportedI wonder how well doubling down has gone for every other director, actor and producer who has tried it. Ask Kathleen Kennedy how well Acolyte performed. Ask Disney how Snow White went after the mouthy actress **** all over their work. Keep insulting the ACTUAL audience, your FICTIONAL modern audience doesnt actually exist!!! @odysseymovie
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Abel (@Abel_0888) reported@ninjagirlsakura cant help but think that is the idea, remaking a movie just to get ppl to go see the original on Disney+ which will get a ton of views, it might sound unnecessary but it always happens whenever a remake is right around the corner & the original is one of the top views on the app