Disney+ status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Disney+ users through our website.

• Sign in (39%)
• Buffering (31%)
• Crashing (20%)
• Playback Issues (6%)
• Video Quality (3%)

Live Outage Map

The most recent Disney+ outage reports came from the following cities:

City	Problem Type	Report Time
Seattle	Crashing	9 hours ago
Birmingham	Sign in	14 hours ago
Skipton	Buffering	16 hours ago
Meylan	Sign in	1 day ago
Monterrey	Sign in	1 day ago
Amiens	Playback Issues	2 days ago

Full Outage Map

Community Discussion

Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  John Olbrias (@John_Olbrias) reported 46 seconds ago

  @CriticsChoice I really hope Johnny Depp comes back as Jack sparrow. I thought the whole thing with Disney talking about removing him from the movies was stupid because of the court issue nobody could play Jack sparrow like Johnny Depp

• 
  Miles Penn (@msjpenn) reported 7 minutes ago

  @gschill21 @sdamico I am not sure a defensive/PR campaign will work or help. Young people all say they care about environment, but where do they buy clothes? Fashion nova, quince, etc. I think if you go into a town and say, “If we come in, we guarantee lower electricity prices, lower water prices, free netflix, free disney+,” some crazies will say something, most of the town will vote yes

• 
  Matt Kadish - SaltyNerd.com (@MatthewKadish) reported 8 minutes ago

  @erikkain This is the biggest issue. There was no plan, and it showed. And everyone who wanted to make Disney a plan was taking too long for them. It was such a **** show.

• 
  Steve @ CEO 2026 (@SteveMightSay) reported 9 minutes ago

  Im genuinely curious how Futurama is still going because I didnt even know the new season started. Disney is awful at advertising it.

• 
  James, the much lesser 🦬✝️▵😼 (@JamesMuchLesser) reported 11 minutes ago

  I just saw the Dune 3 trailer and I gotta say, it looks like rehashed Disney low quality Star Wars.

• 
  Meggie 💫❄️ (@why_meghan) reported 12 minutes ago

  I think Disney needs to go back to some songwriters they used in the past so we can have more then just LMM and Kristen Anderson Lopez/Robert Lopez bc they can’t be doing all the work for the good songs lol. Like is Phil Collins doing anything? Can we get him back?!

• 
  Chris killgore (@killgore_chris) reported 12 minutes ago

  @turnbull115111 @kaeliskarl It's trash, **** writing, Disney is having a fan retention issue in both marvel and star wars, because they have too many ****** writers, she hulk, Agatha all along, acolyte, and secret invasion were all trash.

• 
  𐤃𐤅𐤃 (@The_Davm) reported 18 minutes ago

  Ok this is driving me crazy so I will ask Lebanese Twitter maybe someone can help: Does anyone remember Georges Khabbaz show on Disney? (Before Arabs complained about Lebanese on Disney cause it's hard to understand & switched to Egyptian) If yes any clue where I can rewatch it?

• 
  Matthew Small (@smalls_matty) reported 19 minutes ago

  Disney deleted the FiveThirtyEight archive. Roughly 200,000 person-hours of published work, redirected into nothing. Every institution assumes someone else is keeping the copy of record. Nobody is. It's you, on your own domain, or it's gone.

• 
  Unknown supspect (@USupspect) reported 22 minutes ago

  @lyl1vc @Marsspace17_ And you guys never left Sabrina alone since 2021, you prayed everyday she remains a Disney hasbeen and it didn’t work now you guys want to run smear bot campaigns hoping it takes her down for good. So Carpenters should be in her business more actually

• 
  BR1 ★ (@paleotonto) reported 22 minutes ago

  Absolutely disappointing. This was never a "save money" issue. It's ******* Disney. They have all the money. This is an attempt to push an Agenda and normalize a technology nobody wants so the oligarchs who are getting rich off it keep doing so. Unnecessary and shameful.

• 
  Andrew J. Christianson (@ACtheBodyguard) reported 23 minutes ago

  Now I don't want to belittle what the Rock and Anne Hathaway and the Jonas Brothers did for Disney stuff necessarily, but Jim Cummings is far more of a Disney legend than they are by an extremely wide margin. His body of work alone should be evidence enough of that!!!

• 
  Riley (@RileyEatsGood) reported 25 minutes ago

  @Dontfeedthecrz Only problem is Disney, being their classically retarded selves, doesn't offer baked-in subs despite being the exclusive streaming platform. They only offer audio descriptive closed captioning which doesn't line up with the JP voices. I was forced to watch the dub as a result.

• 
  🎮 (@kidzzones) reported 26 minutes ago

  disney+ harian login tv #zonauang #zonabu

• 
  goaway (@goaway09939242) reported 28 minutes ago

  @Isabella_700 I don't give a flying rat's *** about anything to do with Disney. What an absolutely terrible company

• 
  htownzach (@htownzach) reported 29 minutes ago

  @BravePoaster @pastelheat I've said at least when you work at Disney they give you ears at no cost. This place is so cheap and Mickey mouse you have to buy your own ears.

• 
  my name a jeff! (@TheGrea99558787) reported 30 minutes ago

  @moviebox247 @_dave_mccoy The rights universal had lapsed in 2023 but there is still some legal thing involving them holding it up….I imagine Disney lawyers have been at work behind the scenes but these things take time

• 
  Satarou Light ( 佐太郎ライト ) IRIAM 3/21 debut (@cabbusses) reported 35 minutes ago

  @gillaxian @TheRealZophar You literally just described the Disney art that Bluth took from them with none of the actual defining characteristics outside of maybe “proportions of characters”, which you can not actually demonstrate Golden Ac being similar to because the closest the show trailer has to anyone looking like Dirk the Daring is a guy half his height and with none of the heroics, or even his chin. You literally could had done a better job comparing Death Adder or Ax to Glorf, but what they have in common is literally Popeye’s common muscle-guy build. To me, this just comes across as invoking Bluth’s name in a tryhard manner. I am sure he would be offended to have this digitally animated mess with all the dark and scary moments being dumbed down work being compared to anything he produced.

• 
  Jeep Fu (@Jeep_Fu) reported 39 minutes ago

  @UnashamedRebel I watched until the ******* space witches did their community theater skit. Absolutely the worst scene in all of Disney Star Wars. The show was absolutely horrible, no one watched it and it was a complete failure. Stop trying to claim it's a good show.

• 
  Steve Fowler (@wintersoldier7n) reported 42 minutes ago

  @oluwaseun7g Paid Disney shill. This will be the worst Marvel movie of all time.

• 
  Trevise (@Trevise57) reported 46 minutes ago

  @MiguelArtwork16 the worst thing about it is i can see the damn pixels in the disney plus release they did not care

• 
  The Sith Hokage (@DarthKakashi) reported 47 minutes ago

  @DiscussingFilm There are some characters that nobody cares to see projects of. I assume that’s the actual issue here. Disney doesn’t want to be in the same boat as Madam Web, Morbius, & Kraven. In my opinion, the reason they scrapped Wonderman S2 is because Destin is in Naruto preproduction 🤷🏻

• 
  Cliff (@cliffsacord) reported 47 minutes ago

  @U2HatersRMorons @RStormfist @sw_holocron The extended universe was also tangible and disney had no problem removing that.

• 
  💖💜💙 (@ins0ucianc3) reported 50 minutes ago

  @na81992647 @AzuGleam @DrawsTom how did you read that like disney wasn't being scummy? i thought it was clear the reason that freelancers are supposed to use images they own is so disney then owns their work without any issue. it's not altruistic

• 
  bhadbiti (@bhadream) reported 51 minutes ago

  @RaymondGendet And that’s the problem right there your okay with Disney getting criticize for making movies that all the other studios make other company aren’t above that either

• 
  B1okHead (@B1okH) reported 52 minutes ago

  @newbiedm I think the issue is actually that large companies want to appeal to the largest possible audience. The issue is, the average person still doesn’t care, and they alienate the people who do care by watering down/“disney-ifying” the product.

• 
  Patrick L Dunn 🇺🇸 (@PLD_Maleficent) reported 53 minutes ago

  @retneysholocron Clone Wars wasn't complete trash from the start. It wasn't good but not to the level The Acolyte was. It definitely deserved its status as the worst Star Wars license product ever released (a feat as everything Disney has released since buying the license was bad).

• 
  BEFORE THE POP (@beforethepop) reported 55 minutes ago

  THE 90s ARE NEXT. The market has spent decades deciding what matters in vintage pop culture. Now it is paying serious money for the cards it has canonised. A 1966 Topps Batman #1 PSA 9 sold for US$131,250 in December. There is no PSA 10. A 1977 Topps Luke Skywalker #1 PSA 10 sold for US$687,500 in May. Seven months earlier, the record was $268,400. These aren't obscure cards being dragged upwards by a hot market. Batman and Star Wars are two of the largest entertainment properties ever created, and collectors have had decades to decide what their early cardboard means. The 50s, 60s and 70s have had their time to become vintage. I think the 90s are next. And the more time I spend digging through the decade, the more obvious the setup looks. The 1990s may have been the greatest decade for character IP ever. You had Mario and Zelda becoming global institutions. Sonic arrived. Pokémon arrived. Toy Story arrived. Resident Evil, Tomb Raider and South Park arrived. Final Fantasy VII changed what a videogame could look and feel like. Street Fighter became a cultural phenomenon. The Simpsons went from a new animated show to one of the defining franchises on television. Thirty years later, look at what survived. Mario is bigger than ever. Pokémon is Pokémon. Sonic is selling movie tickets. Zelda is still one of Nintendo's crown jewels. Resident Evil is still releasing major games. Final Fantasy VII is still important enough to support an entire blockbuster remake project. Toy Story is still being watched by children whose parents watched the original. The Simpsons and South Park apparently intend to outlive all of us. That's an extraordinary hit rate. And the cards were made at exactly the right time. The 90s landed just before collecting became industrialised. There was no mature grading economy. No population reports. No breakers opening cases for numbered parallels. No army of collectors immediately sleeving every card of a major character because it might be worth something in thirty years. A lot of this stuff was treated exactly as intended: as kids' stuff. Japanese vending cards came out of machines. Stickers got stuck to things. Magazine inserts were removed or thrown away with the magazine. Foils went into binders. Cards went into pockets, school bags and bedroom drawers. Nobody was carefully preserving a 1995 Toy Story foil because Woody might eventually need a rookie card. Nobody was thinking about the gem rate on a 1996 Bandai Final Fantasy VII prism. Nobody was buying Japanese Zelda cards and calculating future PSA populations. They were just cards. That gives the decade something modern collectibles can never manufacture after the fact: natural scarcity created before anyone thought scarcity mattered. Then there is the buyer. 1996 is thirty years ago, which feels rude but is useful. The kid who was ten when Pokémon arrived is 40. The teenager who played Final Fantasy VII in 1997 is now somewhere around 40, probably with a mortgage and the financial capacity to make significantly worse decisions on eBay. The generation that grew up with these characters is entering the same part of life where collectors before them started paying serious money to recover pieces of their childhood. Except the underlying franchises never really went away. That is what makes the 90s so interesting to me. The nostalgia is arriving at the same time as the IP is still commercially relevant. And Pokémon has already shown us how far this can go. Pokémon was born in 1996. Its earliest CoroCoro material now sits right at the beginning of one of the largest collectible franchises on earth. Then there is Pikachu Illustrator, created for CoroCoro contests in 1998. This year, the only PSA 10 sold for US$16.492 million. The most expensive trading card ever sold at auction. A 90s character card now sits above Mickey Mantle, Honus Wagner and every other piece of cardboard ever sold publicly at auction. So the idea that the 1990s are somehow too recent to produce serious grails is already dead. Pokémon got there first. I don't think it will be alone. We've spent the last few weeks digging through the rest of the decade and the depth is ridiculous. 1993 Sonic prisms. 1995 Toy Story. 1996 Final Fantasy VII Carddass. 1998 South Park. 1999 Ocarina of Time. Early Resident Evil. Tomb Raider. Street Fighter. The Simpsons. Different countries. Different formats. Different manufacturers. Vending cards, foils, prisms, stickers, lenticulars, magazine issues, cheap American wax. But the same broad setup keeps appearing: enormous IP, childhood-era cardboard and far less high-grade supply than you would expect from franchises this big. The Simpsons already feels like the market beginning to look backwards. Collectors are increasingly treating the 1990 Topps cards and stickers as first-year character material rather than some forgotten junk-wax non-sport set. Pokémon is already fully mature. The rest is earlier. That is why I keep coming back to the 90s. Earlier vintage has already had decades of attention. Batman collectors know the Batman card. Star Wars collectors know the Luke. Disney and comic collectors have spent generations establishing their important early pieces. Modern collectibles have the opposite problem. Everyone knows they're collectibles before the box is even opened. The good cards are identified immediately, sleeved immediately, graded immediately and often hoarded immediately. The 90s sit right between those two worlds. Old enough to have been genuinely used and lost. Recent enough to contain some of the largest IP still operating today. Thirty years of nostalgia. A huge generation of collectors moving into serious earning years. And cardboard produced before people realised they should be protecting it. You could almost design the perfect future vintage market around those conditions. Except we don't have to. It already happened. Batman had fifty-plus years for its cardboard to become canon. Star Wars has had nearly fifty. Pokémon has shown what can happen when a 90s property reaches the same level of collectible maturity. Now look at the class sitting behind it. Mario. Sonic. Link. Cloud. Tifa. Aerith. Resident Evil. Lara Croft. Woody and Buzz. The Simpsons. South Park. Street Fighter. Some of the most recognisable characters of the last thirty years, attached to cards produced before anyone had a reason to treat them like future financial assets. I think the market eventually does what it has always done with culturally important things. It looks backwards. It decides what mattered. Then it pays for the best surviving examples. The 50s had their turn. The 60s had their turn. The 70s are going absolutely ******* nuts right now. Pokémon has already broken the door down for the 90s. The rest of the decade is only a matter of time.

• 
  🔪?🩸 (@IRONSPIDER_616) reported 56 minutes ago

  @GamerChatRadio @GameOrDie007 @ethangach Do you see Disney suing anyone for leaking **** on marvel movies NO lmfao worst thing that has happened is they’re account gets banned

• 
  Farzad (@farzad_eidi) reported 57 minutes ago

  When Disney bought Marvel for $4 billion, it didn’t just buy ink on paper it bought decades of stories, thousands of heroes, and millions of fans who had kept that universe alive across generations. The same pattern repeats across the entertainment industry According to official statistics, three out of every ten Japanese animation studios never even had the opportunity to negotiate the copyright of their own work. The same goes for a sticker that gets shared millions of times every day on Discord and WhatsApp it never carries the name of the person who created it. The value of these worlds keeps growing every year. The recognition of their creators has never grown at the same pace. It feels like the only part of the entertainment industry that has never been updated is exactly the one that should have been ownership.