Disney+ status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Disney+ users through our website.

• Sign in (38%)
• Buffering (33%)
• Crashing (20%)
• Playback Issues (6%)
• Video Quality (4%)

Live Outage Map

The most recent Disney+ outage reports came from the following cities:

City	Problem Type	Report Time
Landshut	Sign in	21 hours ago
Troyes	Sign in	22 hours ago
Madrid	Sign in	22 hours ago
Madrid	Sign in	23 hours ago
Indio	Sign in	24 hours ago
Melbourne	Sign in	1 day ago

Full Outage Map

Community Discussion

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  JohnRPG | johnrpg.bsky.social (@TheJohnRPG) reported 3 minutes ago

  @BatLangstrom @djodjeee_ the theme park rights for marvel are a whole other issue independent from the movies.. to sum it up as quickly as possible, universal has rights to most marvel characters in florida (except the guardians) but disney has the rights everywhere else. there’s a lot more to this tho

• 
  terra vaxeienjoyer my main got ****** follow back (@TheALTnomaly) reported 4 minutes ago

  @MarshadowSmores @pedriygavira @Ereh_X_Freedom not only a foul before the equalizer, countless fouls and uncalled pens for us that day and its not even a tactical issue because we were the better team that day not flicks fault eric missed a tap in, disney missed a tap in header or sommer turned into satan

• 
  D. Wylde (@Daniel_Wylde_) reported 4 minutes ago

  @UpToTASK Yup. The only way Disney would have ever been able to purchase it was to let it burn and die outside of the MCU. The second the deal was made to work together was Disney knowing it was never going to be purchased.

• 
  P (@BINNGGUSS) reported 10 minutes ago

  @CZseventyfive @DiscussingFilm @Variety Like I’m sorry but you’re brain dead if you think they wouldn’t give hulk another movie if they didn’t have to deal with universal. They absolutely would. But clearly for whatever reason universal and disney can’t see to work something out.

• 
  luvjeran (@luvjeran) reported 13 minutes ago

  This drama is written by the Goblin writer...it has to be good..I feel like banging my head on the wall when I see C grade D grade dramas trending on Netflix but good quality dramas not getting viewership..we asian viewers dont hv viki Disney plus.plz air DREAM TO YOU @netflix

• 
  krypton realism (@impotentape) reported 16 minutes ago

  there was a cute girl who kept trying to lock eyes with me before her private hell. part of me facilitated thoughts of discussing it with her but credits rolled and i stupidly rushed out when i couldve forced her to tell me if she agrees its his most disney-fied work.

• 
  GhostOfThePast (@RocketYonder) reported 18 minutes ago

  @TacomasterTwit @contxtsonic Universal would be definitely benefit from it, since it’s pretty much it’s almost passive income for them, they do little of the work and only have to distribute the film. Problem is Disney doesn’t think a Hulk movie would make a lot of profit and theyre probably right.

• 
  🔥Flames🔥Eternal Spark (@EternalLove477) reported 20 minutes ago

  Disney had the Dream...Hitler ...Jesus. you see that Barron it's happening we have to show people the Truth. Its the ability to work together. Let's do this. Most severe first....where is it? That's what I keep seeing...the programming is coming through. The pomagranetes in hell

• 
  Sasha Stone (@realsashastone) reported 20 minutes ago

  What you should all be asking yourselves, however, is why you are taking a side. That's the problem here, since most of you said nothing and did nothing about the former mergers between Disney/Fox, etc.

• 
  Rexx Smith (@NeSmith687) reported 23 minutes ago

  @FinEssentials @ABC @DisneyPlus He won’t even go to trial. They have no proof of any laws being broken. These clowns are trying to put him on trial today. Their only hope was to get him to incriminate himself. If they had proof there would be a civil or criminal lawsuit.

• 
  mehmetcan (@user2988291239) reported 26 minutes ago

  @OhSoScandalous im sorry but im a bhive from turkey and couldnt even watched them legally even if i buy disney plus because they only released them to certain countries. And this problem is not only her problem this is a problem all artists have. They simply ignore their international fans.

• 
  Alvin (@Alvin1492840) reported 27 minutes ago

  Feature 6: She downloaded content for offline viewing and killed the buffering excuse. He never watched Disney+ outside his living room. Not because he didn't want to — he had a 45-minute train commute each way that he spent scrolling social media. But the cellular connection on the train was spotty. Tunnels killed the signal for 3–4 minutes at a stretch. Streaming buffered, pixelated, and froze. She showed him Disney+ downloads. Open the app on his phone. Find any movie or show. Tap the download icon. The content saves to the device for offline playback — no WiFi, no cellular, no signal required. Full quality. No buffering. No pixelation. No dead-zone interruptions. She downloaded 3 episodes of a series and a Marvel movie to his phone in about 4 minutes on his home WiFi. The next morning on the train, he opened Disney+, tapped the Downloads tab, and watched an episode in perfect quality through every tunnel, every dead zone, and every signal drop. The content played from the device, not from a tower. She told him Disney+ allows downloads on up to 10 devices per account. Downloaded titles remain available for 30 days from the download date and 48 hours after you start watching, depending on the title and licensing. The feature works on phones, tablets, and some laptops. He'd been wasting 90 minutes of commute time every day — 7.5 hours per week — scrolling Instagram when he could have been watching IMAX Enhanced Marvel movies on a downloaded copy that plays perfectly underground. The download button had been sitting on every title page since the day he subscribed. He'd never tapped it because he associated Disney+ with his living room TV and never considered it a mobile platform.

• 
  Sainto Mussegusto (@StMussegus) reported 27 minutes ago

  @plslvamsg What Disney adults do is 1000x times worse than beating a hole in the wall or throw a chair. The woke have been brainwashed so much. Yall need serious help. Yall take up arms for goddamn groomers and pdfs. Nothing innocent about Disney Adults

• 
  Pamela (@Pamtastic777) reported 27 minutes ago

  @AP In all fairness, Disney is out of reach for most people and has been for quite some time. As far as food goes, I always struggled when I had small children. So many expenses. I think we need to do better, but we also need to reset expectations. Social media doesn’t help With that

• 
  MarkJDaniels2 ✝️🦬 (@daniels2_j) reported 28 minutes ago

  @brownmp This is why Michael Eisner, former Disney CEO, recently predicted there will be no movie theaters in ten years. Given that I haven’t gone to a theater to see a movie in about that long, he could be right. It would help if there were more movies worth going to see.

• 
  George Hard R Martin (@maybedevnotkev) reported 28 minutes ago

  @sarahhotskin Disney adults are a problem but with your kids?And they are having the time of their life? That’s what they are supposed to be doing lol

• 
  High-Tiger (@HighTigerArt) reported 29 minutes ago

  @InkSpot_studio The video I posted is from "Sins of a complacent artist" which is about Tom Preston aka Andrew Dobson who spent years complaining that the animation dept at MCAD was worthless because he couldn't get into Disney with his work, but Andrew Chesworth went to MCAD as well and got in

• 
  Benzinga (@Benzinga) reported 29 minutes ago

  Steve Jobs Was Worth Billions But Said Money Wasn’t That Important Steve Jobs was worth billions, but he repeatedly framed money as secondary to the work. In a 1996 PBS documentary, Jobs said he had been worth more than $1 million at 23, $10 million at 24 and $100 million at 25, and that it was not that important. That mindset carried into his second run at Apple $AAPL. From 1997 until he stepped down in 2011, Jobs took a symbolic $1 annual salary with no bonuses. That does not mean he was unpaid in a practical sense. Apple awarded him a Gulfstream V airplane valued at $90 million in 2001, and his wealth was also tied to equity in companies including Pixar and Disney $DIS. Still, the symbolism mattered. Jobs wanted the focus to be on Apple’s revival, products and long-term impact. The lesson is not that salary does not matter for most people. It obviously does. The lesson is that once money reaches a certain point, purpose can become the bigger driver. Jobs’ legacy was built around what he created, not the paycheck he took.

• 
  Charalampos Politis (@DJCharalampos) reported 30 minutes ago

  Such few cases of young celebrity stars, so many of those cases are just str8 ****** because people like Disney execs don’t give a **** about side acts with limited fame. Now all the parents around the world want yo traumatize their children clout chasing online. YES kids are cute asl but man are ya’ll ******* retarded and ignorant. I pray for the best cause the worst is really ******* sad. There’s a reason why we chose careers as guidance and not public opinion. IDIOTS enjoy your kid don’t force everybody else to enjoy their youth for you gain ALL KIDS ARE CUTE BRUH… You WILL get attention. You AINT do ****. You need to do some ****. Poor kids of the future who didn’t get to explore their options cause they were too busy performing

• 
  YVNGN1NG3N🐝 - Thank You Toriyama🕊️ (@YVNGN1NG3N) reported 32 minutes ago

  @mikeydoesguitar @RawbertBeef The distribution rights are part of the issue but you’re definitely right that they just may not believe in a Hulk movie. Spider-Man was in CW because Disney WANTED him in the movie. They can make a Hulk movie, but do they want to, and want to badly enough to work with Universal?

• 
  Akito (@itsak1to) reported 33 minutes ago

  Michael Ovitz built a $150 billion industry on one idea: if you look powerful, you are powerful. it made him the most feared man in Hollywood - and then it destroyed him in 15 months. he started CAA broke. so he took out a loan and bought five Jaguars, one for each partner, before they'd earned a dime. "perception in Hollywood was 99% of the law." then he did something no agent had done - he signed nearly every major actor, director and writer at once. a studio making a film had to come through him for the star, the director, and the script. he didn't ask for a fee. he controlled the talent, and the leverage did the rest. "I wanted to represent everybody, so there was no one left to negotiate against." for 20 years he was, by his own account, first the most powerful man in the business, then the most feared, then the most hated. then he left the machine he built to become #2 at Disney, under his best friend Michael Eisner. it fell apart in 15 months. Eisner circulated emails calling him a "psychopath" and a "habitual liar," then forced him out. for that failure, Ovitz collected a severance of roughly $140 million - one of the largest in corporate history for barely a year of work. here's the lesson underneath it. leverage comes from controlling the thing everyone else needs - not from being liked, and not from a paycheck. Ovitz never got rich taking fees. he got rich owning the access studios couldn't make movies without. the money was a byproduct of control. and the fall taught the other half: the moment you step into a system you don't control, none of your old power transfers. at CAA he owned the leverage. at Disney he was an employee - and his empire meant nothing. the man who proved perception is power lost everything the second he gave up control of his own ↓

• 
  John Stark (@macthemovieguy) reported 38 minutes ago

  @MrBrokenEyes @deluxe1915 Traitor is a bit strong when nearly every company is producing TTS. Disney should have paid for human. Deluxe didn’t just take a paycheck and go on holiday, they were underfunded by Disney, and this is what happens when Disney asks for low quality synthetic description. Is it ****** up? Absolutely. But I don’t want to lose the thread as to who is really responsible here.

• 
  KimmyP (@KimPainter625) reported 39 minutes ago

  @Stellaaa It was a city issue, not a Disney issue.

• 
  Brother Seamus (@WaynePelota) reported 39 minutes ago

  Yeah, that’s how visas work. When they expire you go home. You don’t just get to come for a Disney vacation and never leave.

• 
  Maynard Handley 🟦 (@handleym99) reported 41 minutes ago

  @jessi_cata IT wasn’t Disney that sued Google in 2005 to force this outcome… Disney may have its own issues, but if your outrage is genuinely about book destruction, get your villains straight!

• 
  Sɪᴅᴅʜᴀɴᴛ (@Siddh_nt) reported 42 minutes ago

  Nolan's Odyssey cost $250 million. The reason it exists has less to do with Homer than with a school syllabus. Greeks get everything. Odysseus filmed since Kirk Douglas in 1954. Achilles got Brad Pitt. Heracles remade so often the versions blur : peplum cycles, Disney, Sorbo, Dwayne Johnson. Sun Wukong beats them combined: dozens of features, a Netflix animation, a game that sold worldwide. All produced in Asia. Hollywood has done zero. Sigurd's finest adaptation remains Fritz Lang's 1924 Die Nibelungen, proof the material works on a screen. A century on, no major studio has returned. Marvel's Thor looks like a counterexample until you check the paperwork: Hollywood filmed a 1962 American comic it owned, rather than the Norse texts. Beowulf is attempted each decade without lasting. Cú Chulainn draws shorts and development deals. Gilgamesh has Kurdish and Iraqi indies and no more. The variable has little to do with quality. A myth earns a blockbuster when one culture both kept teaching it and controls a studio system. The West claims Greek inheritance and holds the capital. China has Wukong in its classrooms and its own industry. Ireland kept its stories without the money. Mesopotamia lost its language for two thousand years and got neither. Whatever your grandmother's country taught in school decides what plays in IMAX.

• 
  Matthew Guertin (@ghostowlredux) reported 42 minutes ago

  We had a good thing going, once upon a time, when fans could freely develop the Star Wars universe through novels and such, in conversation with the work of other fans, with some loose oversight by Lucas. Why must Disney ruin good things?

• 
  OLD DISNEY/NEW DISNEY (@DisBeforeAfter) reported 42 minutes ago

  @DisneyScoopGuy Why is this amazing parade always in danger of going away? maybe they could send it to Walt Disney World and replace that god-awful parade. They ended up with.

• 
  AmicuNoa🧜‍♀️🌊 Vtuber | Emote Comms OPEN (@AmicuNoa) reported 48 minutes ago

  @joecassady13 @amelia_tweetz Just because it isn't your experience doesn't mean it wasn't mine. I literally have had to leave a hotel due to some ******* smoking ****, a bed spring took a chunk out of my partners leg, and a DISNEY hotel had a broken tub with mold in the bathroom. I have not once had a problem with an Airbnb

• 
  Cars & Catholicism (@CarsNCatholics) reported 53 minutes ago

  @PapistPilled The problem is that many of the people that grew up on that franchise waited far too long to get married and have children, thus forcing themselves into what can only be referred to as Disney Adult Syndrome, where you mask your childlessness with nostalgia and consumerism