Disney+ status: streaming issues and outage reports
Problems detected
Users are reporting problems related to: buffering, crashing and sign in.
Full Outage Map
Disney+ is an American subscription video on-demand streaming service owned and operated by the Direct-to-Consumer & International division of The Walt Disney Company.
Problems in the last 24 hours
The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.
June 14: Problems at Disney+
Disney+ is having issues since 05:10 PM IST. Are you also affected? Leave a message in the comments section!
Most Reported Problems
The following are the most recent problems reported by Disney+ users through our website.
- Buffering (42%)
- Crashing (23%)
- Sign in (20%)
- Playback Issues (10%)
- Video Quality (5%)
Live Outage Map
The most recent Disney+ outage reports came from the following cities:
| City | Problem Type | Report Time |
|---|---|---|
 Marseille
|
Buffering | 1 hour ago |
 Edinburgh
|
Sign in | 22 hours ago |
|
Sheffield
|
Buffering | 1 day ago |
 Pembroke
|
Crashing | 1 day ago |
|
Paris
|
Crashing | 3 days ago |
|
London
|
Sign in | 3 days ago |
Full Outage Map
Community Discussion
Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.
Beware of "support numbers" or "recovery" accounts that might be posted below. Make sure to report and downvote those comments. Avoid posting your personal information.
Disney+ Issues Reports
Latest outage, problems and issue reports in social media:
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Joshua Clements (@Pickleburg3r) reported@revenant_MMXX Lucas is a crazy dude with a vision and flawed methods of executing it but it's kinda beautiful... Disney writers are just actual npcs going remember Lucas without actually remembering what made it work...
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Certified Omelette 🏳️⚧️ 🩷💛🩵 🏳️🌈 (@CertifiedOmlet) reported@doggygoth @supergeekmike They just need to stop trying to turn it into top tier streaming content level, most of the Disney money went into increasing the budget for effects etc and that just encouraged the worst aspects.
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Kenneth (@Kaltinelth) reported@TPPNewsNetwork He is correct. It is specifically their Star Wars that has been terrible and ran off fans. The prequels were bad, but not in comparison to the Disney ****.
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Malik “no well” (@PeaceKeeperDV) reported@KingRickyKH I think at least having a tangible reason as to why they even exist would help, and maybe 4 will explain it but I at least would have had like the disney world theme parks being part of the final worlds design, especially since the opening is teasing sora’s destiny to die
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JT ☄️ (@joshysaysstuff) reportedthe problem with Sony and Disney leaking their own trailers to generate hype is that… they fail to realise that by releasing them officially as they were intended, it would generate so much more hype. This marketing tactic was fun for NWH but now it’s just getting silly.
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Michael Sink (@MichaelSink10) reported@yunamorichan Asking online is the problem. People who are having fun put their phones down. My general advice is that the most advertised sites are the most overpriced. You can travel all over.. or you can visit disney world.
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abhay 🦂 (@teroandperdita) reported@taggiehive unsure of their own creation that they can't generate interest with anything more substantial, like the plot. And they're forced to resort to such ***** tactics. Disney proved this when a wave of outrage hit over the lack of RuTag content and the obvious problem with the release
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VideoGabes🍉 (@VideoGabesBU) reportedI know this is a reference to Screwy Squirrel, the thing what made that joke work is that it was actually different from classic Disney cartoons from the time
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Dark Meld Depot-SW (@Catlover10000S) reportedAnd why do you think fans complain? Because this is bigger, stronger, and longer lasting. The hatred for the sequels rivals Dragonball Evolution. Disney has chosen to build their foundation on Dragonball Evolution. This brings down every single relating TV, movie, book or show. There is no recovery. Except a full reset to before Disney ran things. Put the Lucas structure back up and resume Star Wars as it should be. EU fans are the future of Star Wars. Disney fans have proven they can't sustain it. The sequels didn't just fail — they poisoned the well for everything connected to them. Real staying power was already there in the EU. Disney traded it for short-term hype and corporate slop. The only fix is acknowledging the damage and going back to the foundation that actually worked. EU fans built the depth. Disney fans only know how to consume and say "yum" when it tastes bad. The future belongs to those who want the real thing back. Diminished returns in theaters proves this.
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батнік, мітітеї & степ :/ (@taurus_void) reported@Moss717_ @Skyswimma_NG They also seem to fail to understand what made the joke even funny in the first place, which is that 1. it was made by a Disney animator 2. it poked at the specific issue people had of Disney animated shorts (too saccharine) 3. the punchline made sense (violence vs. saccarine)
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Turbo Chu (@TurboChu) reported@BraxtonJs @ambi_the_buggo Glitch might end up killing Disney in the theater and in streaming though 👏 I say let this ride for at least a few more years. Then maybe the competitors will naturally surface.
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Carlos J. (@Houston_Sa) reported@BalichWS Your opening ceremony was terrible; Disney has a better grasp of what #Mexico is all about than you do. Mexico has everything to host a ceremony on par with the one held at the Olympic Games in China.
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TheUpperRoom (@Xxxlouds) reported@PrinceONYXWrld That’s part of our peoples problem now, we’d rather fear monger than do research. Bc you didn’t even know what the deal entailed & that it is a specific type of deal for a certain period of time. Went straight to “yikes on bikes”. Instead of “Gracie bout to be a disney princess!”
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Pota Norimaki (@BasedPota18) reportedYknow, I’m not one of those guys who hates everything about Disney Star Wars or any of that stuff, and this isn’t like a prequel vs sequel, But like objectively, under Disney the brand has lost a **** ton of it’s popularity Hate the prequels all you want, this isn’t a defense for them quality wise, but as evidenced by the box office results of The Force Awakens the brand was still hella popular after them Now just compare that to the numbers Mando and Grogu are pulling in, not so much nowadays
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Big_D (@EdwardDarson) reported@Another_FL_Man @CassandraRules Disney absolutely has this problem my man, have you been there since COVID?
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Return of Drewfar | Drew's Clues (@DarkwingProdigy) reported@Spongey445 it really does. they're awful for not sticking their guns. what the actual **** does it matter? do they make less on advertising for the brief time period? if they were smart, they'd be livestreaming disney channel on disney+ by now. like it does in germany now.
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Undead Caesar (@UndeadCaesar) reported@calebgamman To be fair, it isn’t just a Disney problem. This is an era where everything looks washed out and will probably be looked at with embarrassment in the future.
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Adam Lane (@AdamLane1424) reported@LDTrueBlue_Alt @KyleDWilson1 @rob_heighton Yes. The show. Thats the proof. He was abysmal. If you saw no problem with his performance than Disney doctor who must be the only piece of media you’ve ever seen in your life
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Imtiaz Mahmood (@ImtiazMadmood) reportedTV licence alert: Netflix and Disney+ refuse to 'play a role in enforcing' fee amid BBC overhaul/ Maybe they should just make the bbc a subscription service if it has value to its customers it will survive. At the end of the day, the BBC used to work because people watched TV all the time and that was their main form of entertainment (or radio), so I think people were more likely to pay it. Times have changed, we don’t have just 5 channels anymore and for well over a decade most young people don’t even watch live TV anymore apart from sports. They rested in their laurels for years ignoring the complete shift in how media was consumed and seem to quite recently realised that just intimidating people with hollow letters won’t work. Maybe if they lost all the irrelevant TV shows nobody cares about anymore and just stripped down to news and major programmes people would pay a smaller fee?
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Southern Inks (@Southern_Inks) reported@rbonaime Honestly, didn’t really post it for the guy glazing a Disney production to read. Mainly as a public service announcement for anyone interested. And yeah, it is long, because that awful 1st season ****** up a lot of stories & characters In some really bizarre ways.
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626 ⭐️ (@boyardae) reported@Keijones97 @jasminejadaa_ Spectacular was 2009 and not on Hollywood records, she was already done with them. No one at Disney had a problem with the ice cream stand, it was the parents
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Nesto Cástico (@Herniestt) reported@FantasyGalaxies In that scene, you can see a Jedi Master looking at the wall when Sidious strikes him That scene is outrageous. The worst scene of the entire saga (until you the the trilogy from Disney, of course)
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Wilson A George III 🇺🇸 (@thecbrzero) reported@LucasSWGirl Speak for yourself, lots of us want this. Disney is a dumpster fire with Star Wars. However, it’s not all bad and OW S1 while it had issues was great
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Misheyzh (@MisheyZ) reported@Sneketoshi WOW!! I wish I were half that talented! I so admire artists! He could have been an animator for Disney!! Please wish him the best, and tell him he should exhibit his work… maybe start out locally, or online on Etsy!!
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EmoDopeBoy (@infinitegest) reported@AlexFilmCent Disney coded as it is, PHM skirts around the issues with its worldview by being a cloistered space disaster movie. DD is the product of an 80 year old man with a 7 billion dollar net worth loudly announcing that he hasn't had to seriously engage with the world in 20+ years.
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Rg253 (@rg252) reported@emopunkgrrrl @WilliamWho27 Honestly regardless of the quality of the episodes, the Disney deal would've probably fallen apart. They signed a deal when Disney was looking to get lots of content on D+, but then when the show aired D+ had new executives who had shifted direction away from quantity of content
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Front Toward Enemy (@WilliamN41517) reported@historyinmemes I used to wear my issue photographer’s vest around Disney. With two little kids, had a bajillion pockets for everything kid.
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Ibis Florida Man (@Another_FL_Man) reported@CassandraRules Disney doesn’t have this problem. Nearly $200 at the door keeps the changing consumer habits away.
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Cameron Yarde Jnr (@CameronYardeJnr) reported@ERCboxoffice Might be cheaper than Solo and help merchandise but the optics aren't good. Would have been better staying on Disney+?
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Lorn Conner (@LornConner) reported@BRENDANWAYNE Mr Wayne, First, I want to commend the contributions that you and Lateef Crowder have made to Star Wars in your portrayal of the Mandalorian, a series which I have (mostly) loved. I also want to start with the fact that in my review of The Mandalorian and Grogu, I gave it a 7 - a generous review, given what the movie is and is not - but one that reflected a passing grade given that the movie delivered what *I* needed out of it. Recent comments you have made regarding a "toxic" fandom demand a response, however. Those of us who have decried the direction of Star Wars under Disney's ownership are not reacting reflexively because the IP is now owned by Disney. We're doing it because Star Wars is DYING. It has BEEN dying for many years. It has been dying because those who have been guiding it's direction have either fundamentally misunderstood it's characters and themes, or are hostile to them and have decided to undermine George Lucas' vision and substitute their own. In response to criticism and declining box office returns, time and again the corporate mandate has been to attack the fans. Here's what you may not know: Star Wars was dead once before, in 1986. George Lucas quietly mothballed production on licensed properties, toys, and spinoffs. It was Lucy Autrey Wilson who convinced Mr. Lucas to allow her (after persistent badgering) to begin a publishing program - one that would re-ignite a flame that caught Lucasfilm (and Lucas himself) by surprise. The first novels printed under the new publishing program sold out MULTIPLE times. The revived audience interest led to tentative steps taken by Lucasfilm - baby steps. Licensed Games. Eventually, a return to the toy market. ALL of this directly led to Lucas creating the Prequel Trilogy, and suddenly Star Wars had taken the world by storm again. We called the period in between the original trilogy and the publishing program "The Dark Times." We are in a new era of Dark Times. Star Wars was revived because of the audience. Because those who loved it kept the flame alive - and when new (quality!) material was offered, they responded. The merchandising empire that Lucas created and proved out allowed Lucas to bring Star Wars back to cinemas, and light the world on fire a second time. Because of us - the CUSTOMERS. NOT Consumers. Customers. We choose where to spend our dollars. We choose what products serve our needs. Lucasfilm and Disney have not been serving our needs. How do we know? Because the box office returns have gotten progressively worse, over time. Star Wars is losing money - not making it. Licensed merchandise has (largely) declined in quality, and much of it doesn't sell - ending up in discount warehouses, where even at MASSIVE discounts, it doesn't sell. This should tell you something. Your ability to play this character is due to the fact that the audience revived Star Wars in the early 90's. It is ONLY because of this audience that Lucasfilm was an acquisition target for Disney. I personally liked The Mandalorian and Grogu - but it was not the project that Disney needed to focus on or release at this time, in this medium. (An argument can be made that this became a theaterical release to take the production costs off the Disney+ books). In your assertions about "toxic" fans, you said "You don't need to hear about how we don't like it, or how Disney ruined your Star Wars." If you want to keep working - you actually do. Criticism is not toxic. We are the paying customers. Continue to disparage us or ignore our needs, and we will decide we don't need you at all. In closing, I hope you won't take this as a personal attack (or as something "toxic".) It is legitimate criticism of work product that is not meeting audience demands. Finally - a reminder: You grandfather, John Wayne, rejected the core message of High Noon. He felt the depiction of cowardly townspeople refusing to help Marshal Will Kane (played by Gary Cooper) was a disgraceful portrayal of the American spirit. He responded by making Rio Bravo - a masterpiece. There is a direct correlation between these movies, and what Disney has done to the characters of the original Star Wars trilogy. If Disney and Lucasfilm continue to reject their customers demands, the customers will make their own competing product - and give the audience what they want. That process is already beginning - Hollywood had best pay heed, or they will find themselves asking what happened while standing in a crater of their own making. Respectfully, Lorn Conner