Disney+ status: streaming issues and outage reports

Problems in the last 24 hours

The graph below depicts the number of Disney+ reports received over the last 24 hours by time of day. When the number of reports exceeds the baseline, represented by the red line, an outage is determined.

Most Reported Problems

The following are the most recent problems reported by Disney+ users through our website.

• Sign in (38%)
• Buffering (32%)
• Crashing (20%)
• Playback Issues (6%)
• Video Quality (3%)

Live Outage Map

The most recent Disney+ outage reports came from the following cities:

City	Problem Type	Report Time
Ephrata	Sign in	1 hour ago
Guardea	Sign in	3 hours ago
Pont-Saint-Vincent	Sign in	3 hours ago
Lyon	Sign in	15 hours ago
Ciudad Nezahualcoyotl	Crashing	15 hours ago
Grasse	Crashing	1 day ago

Full Outage Map

Community Discussion

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Disney+ Issues Reports

Latest outage, problems and issue reports in social media:

• 
  No Banner No Girl Only Hulk (@Ferd_Turgeson) reported 2 minutes ago

  So your kid traded a card he didn't want, for cards he did, and was happy with it. Then when you found out how much it was worth, it became a problem. Adults involved in kid's hobbies is so dumb. Demanding Disney get involved LMAOOOO be real

• 
  RadiantFilm (@RadiantFilm) reported 4 minutes ago

  Buster Keaton on making The General (1926): Keaton: "Clyde Bruckman [the co-director] run into this book called The Great Locomotive Chase, a situation that happened in the Civil War, and it was a pip. Says, “Well, it's awful heavy for us to attempt, because when we got that much plot and story to tell, it means we're goin' to have a lot of film with no laughs in it. But we won't worry too much about it if we can get the plot all told [laid out] in that first reel, and our characters—believable characters—all planted and then go ahead and let it roll. And every other situation is more dramatic than it is funny.” Well, that was the finished picture, and—it held an audience. They were interested in it—from start to finish—and there was enough laughter to satisfy. I tell you one thing I was kind of proud of myself for. I made that picture in '26. Thirty years later, Walt Disney did it [as The Great Locomotive Chase (1956)], and I guarantee you we had a better picture. . . . It was shot up around Cottage Grove, Oregon. Because not only the scenery was perfect for it, but all the narrow-gauge railroads from those lumber camps [were there]. And so much of the equipment. Because we bought engines up there and with very little work remodeled 'em into Civil War engines. Then we built a passenger train and a freight train on their flat cars. They had the rolling stock for us. So we just built box cars and passenger coaches and all the track in the world we wanted to use was already laid for us. And it looked aged, which we wanted, and badly—you know—they don't bother keepin' it looking good, they don't care what grows around it. . . . I wanted it that way." Interviewer: "Did the actual locomotive “The General” appear in that?" Keaton: "Oh no, no. We reproduced that. Because that original locomotive they'd have never let that one out of the depot in Chattanooga. . . . I believe they moved it to Atlanta, Georgia. Because the run of “The General” was from Atlanta to Chattanooga—that's where this chase took place." Interviewer: "How did the [mounted] cannon sequence develop?" Keaton: "We found that. It's an actual gun of the Civil War. The first railroad gun. And we duplicated that cannon. It almost looks like a prop we invented. That's the only thing that kind of scared us. When it comes to using it. They said, “Everybody's going to say, 'Oh, they invented the prop just to get that gag.' ” But it's an actual reproduction of a railroad gun built in the Civil War. . . . We found it in more than one book." Interviewer: "Were there more people involved in the making of that film than in any of your others?" Keaton: "Well, when it come to do the battle scenes, I hired the National Guard of Oregon. Got five hundred men there. And we managed to locate about 125 horses. Then in getting the equipment up from Los Angeles, we had to have a lot of it made. We had to have artillery pieces and army saddles and stuff like that and uniforms for both gray and blue. . . . [I housed the men] for a week in tourist cars given to us by the Union Pacific on a siding. We put up a big tent for a mess hall. And put 'em in blue uniforms and bring 'em goin' from right to left, and take 'em out, put 'em in gray uniforms, bring 'em from left to right (laughs). And fought the war." — Buster Keaton, interviewed by George C. Pratt (1958), published as “Anything Can Happen-and Generally Did”: Buster Keaton on His Silent-Film Career in Image, vol. 17, no. 4 (December, 1974)

• 
  Analyst in a Disguise (@AnalystFTW) reported 4 minutes ago

  @jmt00042 @avi_tasm @RegiThevenin Right, I'm sure Frank Miller wasn't biased as he wasn't paid by Disney to say that, especially writing one of the recent issues of TASM (which featured the Hand ninjas fighting the SM) for the BND/Brand New Dross.

• 
  Go El (@GoEl1830) reported 6 minutes ago

  Life is not a Disney movie, you are not a princess and you married more of a frog than a prince. Your kiss was insufficient to transform him. He played the prince while you were dating only to revert to his true form after marriage. For the men, she is not a porn actress even though she played one while you were dating, and she was one with various other men before she met “the one.” You are all bad people who lied to your significant others, and it didn’t work out. She can get hot for any number of other men, just not you. You’d rather pleasure yourself in the bathroom after taking a **** than deal with her. Hence, discord and divorce. You’re all fat, farting, belching, disgusting people who think you deserve more than you actually do, and you don’t want to work to get it. I’m ashamed of all of you. Christ is King. Thank you for playing.

• 
  Alexavier: Renegade Angel (@god_ashe) reported 16 minutes ago

  @TheBlurrman @Cade22362172 Eyy yo do you realise who you’re talking to? I don’t think you do because I’m agreeing with everything you said GLITCH definetilly are NOT the next disney and anyone who thinks that way is a weenie. Glitch are the new Rooster Teeth

• 
  fxevolution (@fxevolution) reported 17 minutes ago

  Here are the 5 things that caught my attention today... 1. SpaceX was the market's biggest story after shares fell 13.6% ahead of tomorrow's 911.5 million-share lock-up expiry, when around 20% of the company becomes eligible to trade. With a huge increase in supply about to hit the market, investors are watching one question: Will insiders sell, or has the market already priced in the risk? 2. Jeff Bezos also made headlines after filing to sell billions of dollars worth of Amazon stock with the company trading near record highs. It comes after the S&P 500 has rallied more than 115% since late 2022. Founder selling doesn't automatically signal trouble, but it does show some of the biggest winners are comfortable locking in gains. 3. The SpaceX story spilled into semiconductors. AMD fell 7% after reports Elon Musk plans to source AI chips exclusively from Nvidia, while Nvidia gained 3.4% closing above previous resistance. In today's market, one customer decision can shift billions of dollars in market value, that's pretty wild. 4. Central banks continue quietly buying gold while it pushed above $4,200 at the close. South Korea's central bank joinined a growing list of countries increasing their reserves. Official institutions bought 289 tonnes of gold in Q2 2026, up 62% from a year ago and 407% from the previous quarter. 5. Earnings season continues to separate the winners from the rest. Disney gained 3.6% after reporting 7% revenue growth, while Amgen rose 4.6% as Repatha sales climbed 9%. Meanwhile, Alphabet fell 4% following another AI leadership shake-up, showing that markets are becoming increasingly worried by any news and is struggling to reprice the future. Patience. React, don't predict.

• 
  Rob (@RobConsigliere) reported 19 minutes ago

  @hulu @DisneyPlus How did Hulu end up doing this? Did Kourtney only get with him to cash in on this epic story? I smell trouble in paradise.

• 
  Katia Rivera (@katerina110976) reported 19 minutes ago

  @Zverev_fans In disney plus could see the tennis game match, the ceo gave him a schedule awful, he play in the schedule when did more heat 😡😡

• 
  West Coast Platonist (@Tool_Being) reported 21 minutes ago

  Disney is one of the most woke companies in the world. They could easily afford to run their theme parks as charities and set ticket prices to 0. Ask yourself why they don't do that, even though it is demanded by their anti-capitalist ideology. Answer: they know that granting equal access would destroy the parks, would be destructive of the family friendly environment they market it as. You can apply this logic to every debate that is occurring now over housing affordability. The primary reason housing prices go up and remain up is that the alternative would destroy neighborhoods with high quality of life metrics (crime, education etc). This was baked into the cake once Civil Rights law removed the capacity for people to create homogenous exclusive communities using discriminatory methods. Any discussion about the "affordability crisis" that does not address this problem is DOA.

• 
  Matt “🍍TikiTyme🗿” (@Tiki_Tyme) reported 22 minutes ago

  Here's my 2 cents.... The cruiselines have all night pizza. Here is my solution to the Disney bubble, night time food problem... Night time only.... White Castle style burgers sold by the 10ct bag. 11pm - 3am only. It's the perfect end to a day of Disney parks!

• 
  firecatrekka (@firecatrek54072) reported 22 minutes ago

  @TheStingisBack @3basketcases A lot of the Muppets stuff gets buried due to rights issues with music, etc. Thats why only the first 3 seasons of the Muppet Show were released, but some of the content originally aired is missing. I think Disney gave up on releasing Seasons 4 & 5 on DVD.

• 
  Tyler (@Fish0157) reported 25 minutes ago

  Hey you stupid *****. I pay for your service and your platform will not let me log in on my TVs. I even tried to buy another subscription just to get it to work and I just keep getting told I already have a subscription yet it won’t let me log in.**** YOU @DisneyPlus @hulu @espn

• 
  DJ (@DJArtistone) reported 28 minutes ago

  You will never read this, because I am a "nobody" here on X. But you should research Walt Disney and what he originally wanted to do with Epcot. Problem was he died before he could actually make his dream for it come to pass. Design this city after something like his dream.

• 
  Bobrick Sloan (@BobrickSloan) reported 30 minutes ago

  @Variety @DisneyPlus Robert Pattinson doing charity work now?

• 
  Made You Look (@Lakerella) reported 31 minutes ago

  @RedBeard_805 I know a couple of people who work for Disney.

• 
  Max (@Maxbtdtv) reported 35 minutes ago

  @unoonix @DoomBlazer_ @JEST0Z It flopped because Disney ****** Star Wars so bad no one cared. The main trilogy is ****** and once they did that they started making mando **** too. Its not because of tv shows Andor is great. It’s because the quality is slop. It’s already happening to marvel. Spidey is anomaly

• 
  RadiantFilm (@RadiantFilm) reported 36 minutes ago

  Buster Keaton on making The General (1926): Keaton: "Clyde Bruckman [the co-director] run into this book called The Great Locomotive Chase, a situation that happened in the Civil War, and it was a pip. Says, “Well, it's awful heavy for us to attempt, because when we got that much plot and story to tell, it means we're goin' to have a lot of film with no laughs in it. But we won't worry too much about it if we can get the plot all told [laid out] in that first reel, and our characters—believable characters—all planted and then go ahead and let it roll. And every other situation is more dramatic than it is funny.” Well, that was the finished picture, and—it held an audience. They were interested in it—from start to finish—and there was enough laughter to satisfy. I tell you one thing I was kind of proud of myself for. I made that picture in '26. Thirty years later, Walt Disney did it [as The Great Locomotive Chase (1956)], and I guarantee you we had a better picture. . . . It was shot up around Cottage Grove, Oregon. Because not only the scenery was perfect for it, but all the narrow-gauge railroads from those lumber camps [were there]. And so much of the equipment. Because we bought engines up there and with very little work remodeled 'em into Civil War engines. Then we built a passenger train and a freight train on their flat cars. They had the rolling stock for us. So we just built box cars and passenger coaches and all the track in the world we wanted to use was already laid for us. And it looked aged, which we wanted, and badly—you know—they don't bother keepin' it looking good, they don't care what grows around it. . . . I wanted it that way." Interviewer: "Did the actual locomotive “The General” appear in that?" Keaton: "Oh no, no. We reproduced that. Because that original locomotive they'd have never let that one out of the depot in Chattanooga. . . . I believe they moved it to Atlanta, Georgia. Because the run of “The General” was from Atlanta to Chattanooga—that's where this chase took place." Interviewer: "How did the [mounted] cannon sequence develop?" Keaton: "We found that. It's an actual gun of the Civil War. The first railroad gun. And we duplicated that cannon. It almost looks like a prop we invented. That's the only thing that kind of scared us. When it comes to using it. They said, “Everybody's going to say, 'Oh, they invented the prop just to get that gag.' ” But it's an actual reproduction of a railroad gun built in the Civil War. . . . We found it in more than one book." Interviewer: "Were there more people involved in the making of that film than in any of your others?" Keaton: "Well, when it come to do the battle scenes, I hired the National Guard of Oregon. Got five hundred men there. And we managed to locate about 125 horses. Then in getting the equipment up from Los Angeles, we had to have a lot of it made. We had to have artillery pieces and army saddles and stuff like that and uniforms for both gray and blue. . . . [I housed the men] for a week in tourist cars given to us by the Union Pacific on a siding. We put up a big tent for a mess hall. And put 'em in blue uniforms and bring 'em goin' from right to left, and take 'em out, put 'em in gray uniforms, bring 'em from left to right (laughs). And fought the war." — Buster Keaton, interviewed by George C. Pratt (1958), published as “Anything Can Happen-and Generally Did”: Buster Keaton on His Silent-Film Career in Image, vol. 17, no. 4 (December, 1974)

• 
  Your_Favorite_Mexican (@MikeandLily_UFC) reported 38 minutes ago

  @lostinthepatch @DisneyCruise Why was your “young son” alone in a store on a Disney cruise where no one could help him make the right decision? It’s difficult to blame anyone at Disney for this or prove that the employee had bad intent. They would have to review footage and prove that the exact card was traded there in the store.

• 
  TheDemoncore was already taken (@erocnomeDehT) reported 40 minutes ago

  @TwoRulesOfWar Disney adults are awful to begin with. We used to do Disney when the kids were little, before it got extra ****** with covid. Seeing them in the lines for character meetings always left me feeling contempt in the highest degree. And now to find a group that celebrates the fatties?

• 
  RadiantFilm (@RadiantFilm) reported 41 minutes ago

  Buster Keaton on making The General (1926): Keaton: "Clyde Bruckman [the co-director] run into this book called The Great Locomotive Chase, a situation that happened in the Civil War, and it was a pip. Says, “Well, it's awful heavy for us to attempt, because when we got that much plot and story to tell, it means we're goin' to have a lot of film with no laughs in it. But we won't worry too much about it if we can get the plot all told [laid out] in that first reel, and our characters—believable characters—all planted and then go ahead and let it roll. And every other situation is more dramatic than it is funny.” Well, that was the finished picture, and—it held an audience. They were interested in it—from start to finish—and there was enough laughter to satisfy. I tell you one thing I was kind of proud of myself for. I made that picture in '26. Thirty years later, Walt Disney did it [as The Great Locomotive Chase (1956)], and I guarantee you we had a better picture. . . . It was shot up around Cottage Grove, Oregon. Because not only the scenery was perfect for it, but all the narrow-gauge railroads from those lumber camps [were there]. And so much of the equipment. Because we bought engines up there and with very little work remodeled 'em into Civil War engines. Then we built a passenger train and a freight train on their flat cars. They had the rolling stock for us. So we just built box cars and passenger coaches and all the track in the world we wanted to use was already laid for us. And it looked aged, which we wanted, and badly—you know—they don't bother keepin' it looking good, they don't care what grows around it. . . . I wanted it that way." Interviewer: "Did the actual locomotive “The General” appear in that?" Keaton: "Oh no, no. We reproduced that. Because that original locomotive they'd have never let that one out of the depot in Chattanooga. . . . I believe they moved it to Atlanta, Georgia. Because the run of “The General” was from Atlanta to Chattanooga—that's where this chase took place." Interviewer: "How did the [mounted] cannon sequence develop?" Keaton: "We found that. It's an actual gun of the Civil War. The first railroad gun. And we duplicated that cannon. It almost looks like a prop we invented. That's the only thing that kind of scared us. When it comes to using it. They said, “Everybody's going to say, 'Oh, they invented the prop just to get that gag.' ” But it's an actual reproduction of a railroad gun built in the Civil War. . . . We found it in more than one book." Interviewer: "Were there more people involved in the making of that film than in any of your others?" Keaton: "Well, when it come to do the battle scenes, I hired the National Guard of Oregon. Got five hundred men there. And we managed to locate about 125 horses. Then in getting the equipment up from Los Angeles, we had to have a lot of it made. We had to have artillery pieces and army saddles and stuff like that and uniforms for both gray and blue. . . . [I housed the men] for a week in tourist cars given to us by the Union Pacific on a siding. We put up a big tent for a mess hall. And put 'em in blue uniforms and bring 'em goin' from right to left, and take 'em out, put 'em in gray uniforms, bring 'em from left to right (laughs). And fought the war." — Buster Keaton, interviewed by George C. Pratt (1958), published as “Anything Can Happen-and Generally Did”: Buster Keaton on His Silent-Film Career in Image, vol. 17, no. 4 (December, 1974)

• 
  Ex(John BlueBird)🍉 (@ExDefinitely12) reported 43 minutes ago

  @SGchartupdate latching onto Disney to make an extremely terrible reboot to the series that got him noticed in the first place

• 
  KMomma (@HeartMom) reported 49 minutes ago

  @MaryBowdenMD We don’t and won’t, here is my 87 cents on why… I had a profoundly special needs child born in the early 2000s. She had an egg allergy which made her ineligible for flu shots. After a few years I realized that despite her fragile status she never got the flu and neither did we. I started wondering then just how “helpful” and necessary they actually were. Years later when the “swine flu” came around we got swept up in the hysteria and her school nurse convinced me that we needed to get the shot they were giving out at the high school gym. She said she had gotten permission for our whole family to get it not just the two girls that were in school. That evening as we were going to the school to get the shot I noticed that my oldest daughter seemed to be developing a fever but they gave her and our other two kids the shot anyway, my husband and I ended up not taking it that night. 3 days later the whole family was pretty sick, but it was the first time in 8 YEARS we’d had any kind of flu. The shot ended up being useless to the 3 kids who did just fine getting through and over the flu like I did when I was a kid. THEN fast forward to Jan 2020 and a family vacation to Disney World via international airports and flights. 2 days into the trip our middle daughter started getting sick, then our son, then me, and finally my husband on day 9 when we finally just rented a van to make the 24 hour drive home with sick kids. My oldest and most “fragile” child NEVER GOT SICK. At the time I attributed it to her feeding tube diet and not living on sugary fried vacation food (big fan of terrain theory). Now I wonder if maybe it was also the RSV shots she got for 3 years when she was little somehow prepped her immune/respiratory system but there is no research in that lane. She had a trach for 4 years, she was a preemie, she was severe failure to thrive until she was 3 1/2, she had chronic atelectasis in her lower left lung, and was THE definition of “at risk”…but she was the only one that didn’t get sick even after being in a hotel room and then a minivan with all of us for days. As news and hysteria grew over the pandemic I knew it wasn’t all true. I had witnessed with my own eyes one of the most at-risk people I know sail right through it all. Even in Jan 2022 when we all got it again, she barely had the sniffles. I’m also a heart patient and have congenital conduction issues. I ended up needing a pacemaker in Oct 2020 and I think the first round of the virus in Jan flipped me over the edge somehow. I went from 3 years with a loop recorder and monitoring to serious bradycardia and heart block in just 6 months, and had a pacemaker in another 3. I also got pericarditis after my pacemaker and when I heard the side effects of the new shot I said we weren’t getting it, we weren’t taking the chance. So even in my own “fragile” state, when we got sick in 2022 we all did just fine. It sucked and I was especially sick for 2 weeks, but with body and nutrition support I got through it and my neediest child was again barely touched. Fear, bad nutrition, and belief in the media hysteria harmed more people than the virus alone. Mind matters as much as medicine. Mind over matter and the placebo effect exist for a reason. I witnessed first-hand in my daughter and myself over the last 24 years just how much “intervention” is really just a business model, and how much what you believe changes your outcomes. Every member of my family is alive thanks to medical interventions 🙏🏻, but we also know it’s big business that needs fear to thrive and we won’t play the game.

• 
  mynamesjeff WE ARE SO BACK (@GallaherKa43608) reported 49 minutes ago

  Number 6. Mei Lee from Disney Turning red I see how this could work in her red panda form. I imagine her having a meter called the Emotion Gauge, which shifts her playstyle based on how much damage she takes or inflicts when you use her.

• 
  Mo 🇵🇸 (@exilehive) reported 50 minutes ago

  Britney vs Christina, Hillary vs Lindsay , Miley vs Selena, Them descendants girls beefing now too. DISNEY IS THE PROBLEM

• 
  iga ⋆౨ৎ˚⟡˖ ࣪ employed era (@sou1seob) reported 51 minutes ago

  just remembered that one time my grandma got me a fake rapunzel doll with blue hair and because i was an awful child i was sad it wasnt the disney one and cut her hair to see if it’ll turn brown LMAOOO

• 
  Velodus✨ (@velodus) reported 52 minutes ago

  The problem (well, one of them) is that Sony's venom is such a goofy and comical character that they made it impossible to ever integrate him into a Spider-Man series that's getting more and more serious, even if Disney *wanted* to put him in one - which they clearly don't.

• 
  Yo biggest hater (@DaBIGGESHATER) reported 56 minutes ago

  @BogalooElectric @mason_krau27632 @IMRANKHAN319064 "Their plan is working" You're not a Disney villain Lil bro. Black people do not give a **** about you. youre not even a problem, keep working on it though, maybe you'll get the attention that your related parents clearly never gave you.

• 
  Sink_demon (@SmantasticSmore) reported 57 minutes ago

  @cirinyc @jk_rowling @RichardAngwin So let me see if I've got this straight... Women are the problem. We did it all. Dr. Evil's got nothing on Sharon from Planet Fitness. Meanwhile, the 6'2", 200-pound bearded dude standing in the women's changing room is basically a ******* Disney princess because he declared, "I'm a woman." Somewhere along the line you stopped identifying with the women being told to give up their space and started identifying with the man demanding access to it. Y'all have developed Stockholm syndrome. Then you pull out: "Statistically you're more likely to be trafficked from contacts in a changing room..." Oh yeah? Prove it. You can't just scream "STATISTICALLY!" like it's a ******* Harry Potter spell. There are no studies showing what you're claiming. Because if Captain Pronouns decides to helicopter his **** around the women's changing room... I'm the problem for noticing. I'm supposed to shut up because complaining makes me the bigot. Hell, your side would call the survey itself offensive. "Excuse me, ma'am, quick question... did an obvious self-identified man expose himself in the women's changing room and insist you call him a woman?" "TRANSPHOBE!" Survey canceled. Data never collected. Five minutes later: "See? There's no statistical evidence it happens." Well no ****. You declared collecting the statistics offensive before anyone could even ask the ******* question. Sorry, Patty Hearst. I'm not buying it..

• 
  Intes (@itsIntes) reported 57 minutes ago

  Tom Holland was three pints in at a pub quiz when an unknown number called. he says he knew before answering. it was bob iger. august 2019. sony and disney break down over profit-sharing on future spider-man films. marvel walks away from co-producing a third movie. the announcement goes public: spider-man out of the mcu. holland, 23, asks iger’s team for an email address. wants to say thank you before it’s over — “this has been an amazing five years of my life.” iger replies within days: he’d rather talk on the phone. holland doesn’t set a time. “you don’t give bob iger a schedule.” two or three days pass. then the call comes at a pub quiz, mid-pint, unannounced. “i basically just said, ‘thank you for the opportunity,’ and he said, ‘there is a world in which we can make this work.’” holland cries on the call. iger confirms it publicly weeks later on kimmel’s show — then walks it back as a joke, then holland confirms it himself, unprompted, on the same show a few months after that. “i was really emotional because i felt like it was all coming to an end.” september 2019: sony and disney announce a new deal. spider-man stays. one more mcu film gets greenlit. a 23-year-old actor had no seat at that negotiating table. he called anyway, drunk, at a pub, and the deal moved within weeks of that conversation. it would have been a shame to take him out of the mcu. it’s where he belongs.

• 
  ⋆ seven ⋆ (inactive) (@sapphicperez) reported 57 minutes ago

  Infulance these grown adults at disney have. the issues between the girls could be real but it's 100% possible it's manipulated by the exces, cause they'd sell the stories, they can manipulate situations and it's all for juicy tabloid gossip. So yes, part of it is the public