Shazam Outage Map
The map below depicts the most recent cities worldwide where Shazam users have reported problems and outages. If you are having an issue with Shazam, make sure to submit a report below
The heatmap above shows where the most recent user-submitted and social media reports are geographically clustered. The density of these reports is depicted by the color scale as shown below.
Shazam users affected:
Shazam is a service available for personal computers and smartphones that can identify music, movies, advertising, and television shows, based on a short sample played and using the microphone on the device.
Most Affected Locations
Outage reports and issues in the past 15 days originated from:
| Location | Reports |
|---|---|
| Guayaquil, Guayas | 1 |
| Catania, Sicily | 1 |
| Narbonne, Occitanie | 1 |
Community Discussion
Tips? Frustrations? Share them here. Useful comments include a description of the problem, city and postal code.
Beware of "support numbers" or "recovery" accounts that might be posted below. Make sure to report and downvote those comments. Avoid posting your personal information.
Shazam Issues Reports
Latest outage, problems and issue reports in social media:
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obinna. i (@ObinnaIkoku) reported@r0lgar77 @CultureCrave @DCOfficial Everyone did, recasting superman was a dis service. And shazam is soo unlikable it coulfnt fit into a justice league movie, james gun version batman is gonna suck ba*** i can feel it… Now i think about it, james gun modeled his universe after that ****** shazam movie
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Marco Almeida (@MarcoAlmeidaPT) reportedCar stereo playing a song on the radio. iPhone connected via CarPlay. Opening Shazam or Apple’s own “recognize music” tool immediately shuts down the radio. I know taking over the car stereo audio when the microphone is activated is the standard behavior, but it’s kind of stupid in this scenario, right?
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🆔 (@Nobleboyy7) reported@slowswirling Whats this song my shazam is down atm
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King Emmanuel (@Obanuell) reported@bekeestitches Shazam was never the problem. The real issue was everyone underestimating what he could become and how much power he actually carried. They judged the kid instead of understanding the hero.
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@iamLenoBoss (@LENO_BOSS1) reported@bekeestitches Everyone blamed Shazam, when the real problem was the writing and how the character was handled. 😭🔥 The potential was always there.
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Zolly Becker (@ZollyBBecker) reportedThe problem was Shazam
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Will Jenkins (@ImWillJenkins) reportedHave @SHAQ appear as Shazam. Avengers wish Doom to turn into Iron Man. Boom. Two problems solved.
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222supergamer (@222supergamer) reported@ingricma87 @mjarbo James Gunn wasn't even involved with Shazam or Blue Beetle. They also just weren't movies people were interested in. TSS was a movie during covid that released in both theaters and in HBO so no duh it didn't make money at the box office. Such terrible comparisons. 🤡🤡🤡🤡🤡🤡🤡
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Sully (@ICSully) reported@YagoRochaAlvz "He took down the Snyderverse" Outperformed both Shazam movies, Flash and Wonder Woman 2 and was the better movie.
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meanlene (@Chalene1450) reported@ClownWorld Most of the service dogs aren’t really necessary. People get the paperwork signed and Shazam! Now you can bring a dog everywhere. It’s crazy. Either they are all allowed or not. It takes away from those that truly have a service dog and need one.
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Reef (@Reefmetax) reported@barkmeta If anyone knows what that second to last song was, let me know. I was turning it down before I could hit Shazam
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JUSTIN (@JustinMKowalski) reported@NickZednik If this is the math we are trying to math with, Levi is only one worth bringing back going by Shazam 1 performance. Anyone, burn it all down.
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Recovery Simp (@recovery_simp) reportedCOSOMA’s Blank Media Levy A THREAD 1/ Everybody is arguing about COSOMA payouts, but most people don’t even know what the Blank Media Levy actually is. Some think it’s government tax. Some think it’s Spotify money. Some think COSOMA just wakes up and chooses who to pay. None of that is true. So let’s break it down. 2/ Imagine you make a song. Thousands of people save it on their phones, laptops, memory cards and flash drives. Even if they don’t sell your music, they’re still making copies of it. Now imagine trying to ask every single person to pay you. Impossible, right? 3/ That’s why copyright law created the Blank Media Levy. Instead of chasing millions of people who copy music for personal use, a small levy is collected whenever devices that can store copyrighted content are imported into Malawi. That money goes into one big pool for creators. 4/ The devices include: • Phones • Laptops • Tablets • Flash drives • Hard drives • Memory cards • CDs & DVDs Basically, anything people use to store music, movies or books. 5/ So who collects this money? MRA. Think of MRA as the cashier. When importers bring these products into Malawi, MRA collects the Blank Media Levy together with other applicable charges. It then remits the money to COSOMA. MRA doesn’t decide who gets paid. 6/ Now COSOMA has one big pot of money. Thousands of musicians, filmmakers, writers and other creators are waiting for a share. So… How does COSOMA decide who gets what? 7/ Most people think it’s based on popularity. It isn’t. COSOMA isn’t supposed to ask: “Who’s the biggest artist?” It’s supposed to ask: “Whose copyrighted work was used the most according to the data available?” 8/ Think of two students. One is the most popular kid in school. The other has perfect attendance. Those aren’t always the same person. Royalties work the same way. Popularity and measured usage are not always the same thing. 9/ So how does COSOMA measure usage? Through a monitoring system. Think of it like a football referee. The referee doesn’t guess who scored. He keeps score throughout the game. 10/ Radio stations and TV stations keep playlists and broadcast logs showing every song they play. COSOMA collects that information and uses it to estimate how often songs were broadcast. The more qualifying plays your music gets, the bigger your potential share. 11/ Many copyright societies around the world also use music recognition technology (similar to Shazam) to automatically identify songs played on radio and TV. COSOMA has said it uses monitoring and broadcast data, although it hasn’t publicly explained every technical detail of its system. 12/ Imagine the monitoring results look like this: Artist A — 1,000 plays Artist B — 700 plays Artist C — 300 plays If royalties are shared using that data, Artist A gets a bigger slice than Artist C. Simple. 13/ Now here’s where the debate begins. People ask: “What about churches?” “What about weddings?” “What about crusades?” “What about minibuses blasting gospel all day?” If those uses aren’t captured in the monitoring data, they may not significantly affect the payout. 14/ People ask the same questions about: • YouTube • Spotify • TikTok • Facebook Those don’t automatically count towards Blank Media Levy distributions because they involve different rights and different royalty systems. 15/ This is why an artist can have millions of views… Fill stadiums… Trend every week… …and still receive a royalty payment that surprises everyone. Because popularity isn’t automatically the same as documented copyright use. 16/ So why do some artists receive millions while others receive much less? Generally because of: • More qualifying radio & TV airplay • More licensed public performances • Proper registration of their works • Their ownership share of the copyright Not simply because they’re more famous.
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Miles (@mtvsthewrld_) reportedSeen somebody driving next to me put the window down to Shazam what I was listening to and I paused the song #Hater
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Blair (@blaira99) reportedJust heard a song that was so terrible that I had to Shazam it bc I thought I was hallucinating it